August & September highlights across visual arts, books, music and fashion, from the Pantograph Punch team of writers and editors.
Contemporary Muslim poets whose work we love, admire or would like to read more of.
Theatre Editor Adam Goodall offers up his recommendations for this year's Auckland Fringe Festival and New Zealand Fringe Festival in Wellington.
Theatre Editor Adam Goodall (Wellington), Kate Prior (Auckland), Erin Harrington (Christchurch) and Emily Duncan (Dunedin) weigh in on the theatre that excited them, provoked them and made them fall in love in 2018.
Visual Arts Editor Lucinda Bennett and Kaupapa Māori Editor Matariki Williams on their favourite shows of the year.
Matariki Williams, Lucinda Bennett and Hannah Newport-Watson bring you our top picks for LitCrawl Wellington 2018.
With such a chocka programme, we picked our top Auckland Writers Festival events worth celebrating, spanning “millennial intelligentsia”, neuroscience and tricky conversations.
Our monthly round-up of things from The Pantograph Punch worth celebrating.
Our monthly list of awesome mahi to look forward to. This month features Christmas plays, good art and watercress!
Our monthly round-up of things from The Pantograph Punch worth celebrating.
Our monthly list of awesome mahi to look forward to, featuring an arts festival, an improve festival and new collection of poetry and a record release with accompanying tour.
Our monthly round-up of things from The Pantograph Punch worth celebrating.
Our monthly list of awesome mahi to look forward to, featuring an exhibition at Blue Oyster Project Space, Political Cutz, great reads and the Kōanga Festival.
Our monthly round-up of things from The Pantograph Punch worth celebrating.
This month: a reprieve from dark theatres with vital writing about gaming culture at Gitmo, the Wild Rivers Act, and a poem about Ewan McGregor in Speedos.
Paekakariki, Sara Hughes, Native Collective and mental health help.
100 days, co-revolution, Jessicas Hansell and Rabbit
Pretty maps, a medical atlas and advice from the playwright as a young man