Contributing Writer
Now performing in their home town after a season in Edinburgh Fringe, Binge Culture's Ancient Shrines and Half Truths turns residents into tourists. Matt Loveranes reviews.
Matt Loveranes reviews Waylon Edwards, Jane Yonge and William Duignan's strange, surreal WEiRdO, a comedy about a finding your identity in a Pākehā world that would rather you didn't.
Matt Loveranes reviews My Accomplice's return to the Wellington stage after an 18 month hibernation, and finds an emotional and hopeful portrait of depression, anxiety and the difficult relationship between two sisters.
Matt Loveranes examines Mīria George's latest work, a rumination on place, culture and climate.
Matthew Loveranes reviews Circa Theatre's season of Hand To God, a rip-roaring comedy about a violent, profane puppet that also has a lot to say about the road to salvation.
Matt Loveranes reviews James Nokise's Rukahu, a protest against liberalist attitudes to Pacific culture and art, that returns to BATs this week.
Matt Loveranes reviews Chaz Harris' new comedy at BATS Theatre, The Next Best Thing.