 is a sociology honours student and writer who lives in Auckland (but calls Thames home). She's previously worked for 

India Essuah

Francis is a freelance writer and curator. He has contributed to a variety of arts and culture magazines and websites, including 

Francis McWhannell

Of Fijian, Tongan and Pākehā descent. Dr Tulia Thompson is a sociologist, poet, award-winning creative non-fiction writer, author of children’s novel 

Tulia Thompson

The best art on show in the dealer galleries of Tāmaki Makaurau Auckland in December 2020.

The Unmissables: Three Artworks to See in December

Faith is a Samoan/Pākehā writer, artist and editor from Kirikiriroa, she was previously our Kaiwāwāhi at The Pantograph Punch (2019-2021) and a staff writer (2021 – 2022). She has an MA in Creative Writing from the International Institute of Modern Letters. Alongside a team of other Indigenous writers and editors, Faith has recently launched 

Tupuranga: A New Journal of Indigneous Writing from Aotearoa

 and Saufo'i Press. Her interests are multiform, but include contemporary art, poetry (the cool kind), Indigenous rights, music, Shortland Street and XTREME SPORTS like mountain biking and snowboarding.

Faith is a Samoan/Pākehā writer, artist and editor from Kirikiriroa. 

Faith Wilson

The best art on show in the dealer galleries of Tāmaki Makaurau Auckland in November 2020.

The Unmissables: Three Artworks to See in November

Van 梅 (they/them) is an arts polymath, Libra with fire placements and the current Kaitohu of The Pantograph Punch. Since graduating from AUT with a Bachelor of Visual Arts in 2017, they have worked across the sector as a poet, performer, artist, sports commentator and freelancer for anyone that paid her (and a few that didn't). Previous roles include producing, curating, writing and comms management for the likes of Basement Theatre, Window Gallery, and at Pantograph! Most recently they were the Director of Enjoy Contemporary Art Space 2020 – 2022. They are interested in relational approaches to wellbeing, Queer theory, anime and arts publishing. Their debut collection of poetry can be found in AUP New Poets 6, published by Auckland University Press.

Van Mei (they/them) is an artist, writer and the current Kaitohu of The Pantograph Punch. Get in touch at vanessa@pantograph-punch.com!

Van Mei 

The best art on show in the dealer galleries of Tāmaki Makaurau Auckland in October 2020.

The Unmissables: Three Artworks to See in October

What do we inherit? How can we move forward from the violence of the past? Inheritance asks hard questions with surprising playfulness. New Volumes critic India Essuah reviews.

My Big Fat Pākehā Pōwhiri: A Review of Inheritance

Our schools are struggling to cover consent and sexual violence in relationships. Can artists and outsider educators help our poor statistics, or are they just getting in the way? India Essuah investigates.

We Need To Talk About Sex In Schools

New Volumes critic India Essuah heads into darkness with Working On My Night Moves, a new performance work from Julia Croft and Nisha Madhan that challenges us to imagine a world radically reshaped around feminism.

Feminist Futures: A Review of Working On My Night Moves

Rewritten and remounted after a season at Te Pou earlier this year, Such Stuff As Dreams is a romance about a restless barista and a schizophrenic busker. New Volumes writer India Essuah reviews a show whose appeal lies in the little things.

Hard Shell, Soft Belly: A Review of Such Stuff As Dreams

India Essuah chats to Briar March about her new documentary, A Place to Call Home

A Place to Call Home: An Interview with Briar March

India Essuah chats to Claire Cowan about closing the venn

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India Essuah

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The Unmissables: Three Artworks to See in December

The Unmissables: Three Artworks to See in November

The Unmissables: Three Artworks to See in October

My Big Fat Pākehā Pōwhiri: A Review of Inheritance

We Need To Talk About Sex In Schools

Feminist Futures: A Review of Working On My Night Moves

Hard Shell, Soft Belly: A Review of Such Stuff As Dreams

A Place to Call Home: An Interview with Briar March

Dissolving Walls: Claire Cowan of Blackbird Ensemble

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Everything By: India Essuah

.css-dwq9dp:focus{opacity:0.5;}The Unmissables: Three Artworks to See in December

.css-dwq9dp:focus{opacity:0.5;}The Unmissables: Three Artworks to See in November

.css-dwq9dp:focus{opacity:0.5;}The Unmissables: Three Artworks to See in October

.css-dwq9dp:focus{opacity:0.5;}My Big Fat Pākehā Pōwhiri: A Review of Inheritance

.css-dwq9dp:focus{opacity:0.5;}We Need To Talk About Sex In Schools

.css-dwq9dp:focus{opacity:0.5;}Feminist Futures: A Review of Working On My Night Moves

.css-dwq9dp:focus{opacity:0.5;}Hard Shell, Soft Belly: A Review of Such Stuff As Dreams

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The Unmissables: Three Artworks to See in December

The Unmissables: Three Artworks to See in November

The Unmissables: Three Artworks to See in October

My Big Fat Pākehā Pōwhiri: A Review of Inheritance

We Need To Talk About Sex In Schools

Feminist Futures: A Review of Working On My Night Moves

Hard Shell, Soft Belly: A Review of Such Stuff As Dreams

A Place to Call Home: An Interview with Briar March

Dissolving Walls: Claire Cowan of Blackbird Ensemble