Lucinda Bennett is a writer, editor and teacher based in Tāmaki Makaurau. She holds an MA (First Class Honours) in Art History from The University of Auckland, where she was also part of the curatorial team at Window. In 2017, Lucinda was the CNZ Curatorial Intern in Contemporary Art at Dunedin Public Art Gallery. She writes regularly for various galleries and publications, including Art New Zealand, Australian Art Collector, and by artist commission.

Lucinda was previously Kaiwāwāhi Mahi Toi | Visual Arts Editor for The Pantograph Punch.

Lucinda is a writer, editor and teacher based in Tāmaki Makaurau.

Lucinda Bennett

Ruth Buchanan’s 'The scene in which I find myself / Or, where does my body belong' marks the Govett-Brewster Art Gallery’s 50-year anniversary. Lucinda Bennett writes about the discomfort, and the sheer joy of discovery.

The Friction in the Collection / Or, Ruth Buchanan Rubs up Against the Govett-Brewster

Dr. Lana Lopesi MZNM is a critic of art and culture based in Tāmaki Makaurau, and the Editor-in-Chief for the Pacific Arts Legacy Project. Lana is the author of False Divides (BWB 2018), Bloody Woman (BWB 2021), was our Interim Director in 2021 and the Editor-in-Chief of The Pantograph Punch from 2017–2019. Lopesi is currently the Assistant Professor in the department of Indigenous Race and Ethnic Studies, at the University of Oregon.

Lana is a writer and researcher based in Tāmaki Makaurau, and the Editor-in-Chief for the Pacific Arts Legacy Project. Lana was the Editor-in-Chief of The Pantograph Punch from 2017–2019, and the Interim Director in 2021. 

Lana Lopesi

Francis is a freelance writer and curator. He has contributed to a variety of arts and culture magazines and websites, including 

Francis McWhannell

Van 梅 (they/them) is an arts polymath, Libra with fire placements and the current Kaitohu of The Pantograph Punch. Since graduating from AUT with a Bachelor of Visual Arts in 2017, they have worked across the sector as a poet, performer, artist, sports commentator and freelancer for anyone that paid her (and a few that didn't). Previous roles include producing, curating, writing and comms management for the likes of Basement Theatre, Window Gallery, and at Pantograph! Most recently they were the Director of Enjoy Contemporary Art Space 2020 – 2022. They are interested in relational approaches to wellbeing, Queer theory, anime and arts publishing. Their debut collection of poetry can be found in AUP New Poets 6, published by Auckland University Press.

Van Mei (they/them) is an artist, writer and the current Kaitohu of The Pantograph Punch. Get in touch at vanessa@pantograph-punch.com!

Van Mei 

The best art on show in the dealer galleries of Tāmaki Makaurau Auckland, and online, in May 2020.

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THE PANTOGRAPH PUNCH

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.css-dwq9dp:focus{opacity:0.5;}The Friction in the Collection / Or, Ruth Buchanan Rubs up Against the Govett-Brewster

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The Friction in the Collection / Or, Ruth Buchanan Rubs up Against the Govett-Brewster

The Unmissables: Three Artworks to See in May