A selection of fiery poems from Ana McAllister.
Fire
I empty out my soul to you
perform a striptease by removing my armour
piece by piece, grinding to the beats of the kihikihi-wawā
with mouth open, eyes fixed on you
I allow the steel breastplate to graze my nipple
as it falls to the floor and splits open my little toe.
Too infatuated to even notice the pain or blood
I wade through all the discarded armour,
trying to get close enough to touch you
Push past chunks of steel gathered over years of losing at love
then refusing to play the game on their terms anymore.
That’s what I thought this was at first –
Games.
I mean, naturally
I never really saw this
as a viable pregnancy
so, I burn what is no longer fruitful
let the nutrients return to the whenua
and now look at you
surrounded by fire
burning up.
You say it’s hard to see in fire
but you do see me wrap my arms around you
lick at your fleshy bits.
You complain about fire being too quick
to burn. Worried about longevity
but I read about this one fire in Australia
that’s been burning for 6,000 years
and I think I can do like, 4,000.
Granted, I may out-live you
but I promise I will sit by your grave.
Rules
If you start to fall in love with one of your lovers, leave.
You were hunting for possum skin, not enough kāka feathers to weave an imaginary kākahu huru so large it envelopes your entire body and leaves you floating somewhere in his bed.
When he looks up at you from between your thighs after making a meal of your wairua, do not gently brush his hair between your fingers. Resist the temptation to whisper his name under your heavy wet breath.
When he rests his hand on your lower back, do not fall back into his touch.
When he says ‘wow, you really are beautiful’, do not listen, he is lying. Not about you being beautiful, but about your beauty being seen by his eyes.
When you finish fucking, leave straight away.
You do not belong here. This is not where his sins live. This is where his children sleep.
Do not confuse a good man with a man that loves you.
Yelling With My Full Puku
I was with my ex for a long long time.
Long enough for me to write (and publish)
far too many poems about our relationship
sucking. At a book launch I stood up
In front of a room full of people and read aloud
‘My performative reaction to his performative romance’
laid out how much he had fucked me
over by fucking that white trash from the Hutt.
I read that poem with my full puku
knowing I would be going home to him.
I’m sorry.
We moved far away from the Hutt
We had a beautiful house, with beautiful things.
I had built him into the man he was
leaving that was devastating.
If you were me, what would you have done?
----
I don’t know if I’ve said this before
but I’m actually a retired sex worker.
I was a damn good one too.
GFE expert. Whore. Slut. Sugarbaby.
I don’t care what the fuck you and your mates call me
as long as your dads remember to tip.
I once had a man tell me that me having a civilian boyfriend
was like a nuclear bomb being used as a paper weight.
----
I know you’re staying up all night thinking
about what it would be like to have my scent on your lips.
Staring at my body mediated through the
blue screen in your hands. Most people can’t stand
to look directly into the sun, the heat radiating
is overwhelming to their eyes. They turn away,
crumpled beneath her warmth.
I’m so used to seeing the backs of people's heads, no one ever wanting to make eye contact
but you're looking right at me. Maybe it's the blue light. Negating my heat.
But without my light there is nothing, Te kore.
Cum into my ao marama baby and I’ll show you life.
Through dimensions I feel you stretch towards me.
Whisper all my names under your heavy breath.
Gravity pulls you toward me and you start circling my hips.
I'm waiting for you to finally reach out.
Touch my heat.
Burn.
I Understand Tropes
I understand that artist/activist/hot-girl burnout is a trope,
but burn me out baby cause I’m fucked.
I have burnout after burnout but always manage
to mould together from the ashes.
I have no idea why I bother.
What’s going to change if I stop,
could the world be any worse at this point?
Maybe I should let myself be blown away by the wind.
****
Walking down Cuba St once and running into 15 ex-lovers is so Wellington.
They all crowd around me asking “How are you? How’s Auckland?
Are you still doing the art thing?”
The art thing was never a thing, I burned those bridges
and let those ashes get carried by the awa.
The art thing would never have worked for me because I get offended too easily.
I carry my hurt feelings with me across the ika of Māui
without ever looking forward, or back,
eyes closed, always looking at my brain.
****
I understand that drowning under the weight of 2021 is a trope
but let Hine Moana take me cause that shit was fucked.
So many days looking out the same window while my world inside seemed to
pause completely. Outside of the window everyone was spinning even faster.
At least my house felt safe, and I could watch the spinning
through the 4k HD security cameras.
Safety is a thing I’ve learned not to take for granted recently.
My safety has been threatened in so many different ways.
I’m not sure if it’s because of the constantness of the threats of violence,
but I don’t fear it that much anymore. I learnt to carry my keys between my knuckles,
text people where I’ll be and when I should arrive, karakia a
war chant at the rise of the sun, and paint my ikura onto my forehead.
I’m always ready for battle.
I understand that being a wahine Māori who is threatened
with rape by white supremacists is such a trope.
But I’m not 16 anymore and now I will rip off ure with my niho
and smile while the blood drips from my mouth. Sometimes I want to
respond “like that scares me you’ve been raping me, my whānau
and the land for 250 years, try something original next time”.
But I know it’s best not to engage. Don’t engage. Don’t engage. Don’t engage.
****
I recently said on my Insta that I understand that not every Māori is
>Hine Nui Te Pō vibes hard out< like me, some of us are out here
fully bringing {Papatūānuku vibes}. {Papatūānuku vibes} should be
protected and honored always. That's what I love about our atua
is that we can all see ourselves reflected in their mana and mauri.
I work with >Hine Nui Te Pō< on the regular, me and my manu
pray to her every marama and thank her for the taonga she gives to me
on their journey to her.
I understand that the hot, fat, alter-native, baddie Insta star
having a cis hetero white lover is unexpected, but his hands make me feel like a fire.
My uncle jokes that I’ve managed to find a rare +Māori Pākehā+.
He watches me like I am a galaxy and breaks his knees to accept my wero.
He uses his body to shelter the ashes. He walks me down Cuba St
so I can keep my eyes closed. He installs the security cameras.
He’s the one I forward my location to.
He’s the one who reminds me that my body
deserves pleasure even though it holds pain.
He loves my >Hine Nui Te Pō vibes<.
Feature image: Nuanzhi Zheng 郑暖之。