{"pageProps":{"article":{"content":[{"_type":"articleText","description":[{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"“You alone have root access to your own identity,”","_key":"781c356a61fa0"}],"_type":"block","style":"normal","_key":"781c356a61fa"},{"children":[{"_type":"span","marks":[],"text":"writeskī anthonyin ","_key":"03e6966c0e720"},{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"03e6966c0e721"},{"marks":[],"text":", the groundbreaking new anthology of Asian voices","_key":"03e6966c0e722","_type":"span"},{"_type":"span","marks":["em"],"text":". ","_key":"03e6966c0e723"},{"_key":"03e6966c0e724","_type":"span","marks":[],"text":"Edited byPaula Morrisand Alison Wong, the collection represents a new chapter in the canon of literature from Aotearoa. As Morris and Wong note in their introduction, Asian voices in New Zealand literature are underrepresented. Although ‘Asians’ – as a broad and imprecise category – have been present in Aotearoa for over 200 years, only a handful of Asian writers have been nationally recognised. This is changing."}],"_type":"block","style":"normal","_key":"03e6966c0e72","markDefs":[]},{"_type":"block","style":"normal","_key":"db96c7750422","markDefs":[],"children":[{"_type":"span","marks":["em"],"text":"A Clear Dawn ","_key":"db96c77504220"},{"_type":"span","marks":[],"text":"is a response to the emerging hunger for Asian writing. Although Asian presence in New Zealand has been – and continues to be – perceived as a threat to national identity, the 2018 census revealed that those identifying as Asian make up 28.8 percent of Auckland’s population. There are also more second-generation self-identifying Asians than ever before: 23 percent of us were born in New Zealand. So why aren’t we treated that way?","_key":"db96c77504221"}]},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"---","_key":"4d43b7fadedd0"}],"_type":"block","style":"normal","_key":"4d43b7fadedd"},{"children":[{"marks":[],"text":"","_key":"ec8ec715ec960","_type":"span"}],"_type":"block","style":"normal","_key":"ec8ec715ec96","markDefs":[]},{"_key":"8ef7ba9c03aa","markDefs":[],"children":[{"_type":"span","marks":[],"text":"The night of ","_key":"8ef7ba9c03aa0"},{"marks":["em"],"text":"A Clear Dawn","_key":"8ef7ba9c03aa1","_type":"span"},{"text":"’s book launch at the Auckland Writers Festival was a mild one. A crisp breeze kept the city cool, so I clutched my tan coat as I walked into the Aotea Centre. It was busy, and the crowds were disorientating. I hurried up to the fourth floor – the event would be starting soon. I walked twice through the crowd gathered up there, scanning the room for my friends. It looked like they hadn’t arrived yet. I procured a glass of wine, clutching it like a life raft.","_key":"8ef7ba9c03aa2","_type":"span","marks":[]}],"_type":"block","style":"normal"},{"style":"normal","_key":"350b2bfac69f","markDefs":[],"children":[{"_type":"span","marks":[],"text":"But I needn’t have worried – my friends came, and just in time for the speeches.","_key":"350b2bfac69f0"}],"_type":"block"},{"children":[{"_type":"span","marks":[],"text":"The readings that followed sometimes hushed the crowd, sometimes stirred us, sometimes made us laugh or hold back tears. But always, they connected us.","_key":"65e5374570a10"}],"_type":"block","style":"normal","_key":"65e5374570a1","markDefs":[]}],"_key":"row-4925"},{"_key":"row-4926","_type":"articleShortquote","description":[{"children":[{"text":"A Clear Dawn is a response to the emerging hunger for Asian writing","_key":"2a3cf3be22fe0","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"2a3cf3be22fe","markDefs":[]}]},{"_type":"articleText","description":[{"style":"normal","_key":"81f74b1448f7","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Aiwa Pooamorn embodied her father while reading her poem ‘rice’. With deceptively simple language, Pooarmorn laid out the problematic gender roles and body shaming prevalent in many of our communities. Her voice rang out through the venue, sometimes drawling, sometimes sharp, leaving a ripple through the audience like a warm breeze. But in tandem was Pooamorn’s impeccable sense of comedic timing – oh how we ","_key":"81f74b1448f70"},{"marks":["em"],"text":"laughed","_key":"81f74b1448f71","_type":"span"},{"_type":"span","marks":[],"text":".\n","_key":"81f74b1448f72"}],"_type":"block"},{"style":"normal","_key":"4959b59bb87f","markDefs":[],"children":[{"_key":"4959b59bb87f0","_type":"span","marks":[],"text":"“"},{"_type":"span","marks":["em"],"text":"watch the carbs,”","_key":"4959b59bb87f1"}],"_type":"block"},{"style":"normal","_key":"be71aae037b3","markDefs":[],"children":[{"_type":"span","marks":[],"text":"","_key":"be71aae037b30"}],"_type":"block"},{"markDefs":[],"children":[{"text":"mocks Pooamorn, and I hear my mother, who breaks my heart as she scrapes rice off her plate.","_key":"7ed846da96200","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"7ed846da9620"},{"_key":"3ad7c1d29d17","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Of course, not all stories were immediately familiar – the term ‘Asian’ is as diverse as it is broad. But underlying every reading was the familiarity of human experience. Mustaq Missouri read an excerpt from his novel in progress, ","_key":"3ad7c1d29d170"},{"_type":"span","marks":["em"],"text":"Displacement","_key":"3ad7c1d29d171"},{"_key":"3ad7c1d29d172","_type":"span","marks":[],"text":". In the excerpt, as the narrator discusses the trials of Ramadan, the room, composed of the diverse nationalities and religions that make up our new New Zealand, felt in tandem the faith, hope, struggle and triumph that underpinned Missouri’s words."}],"_type":"block","style":"normal"},{"style":"normal","_key":"1e1a8e8a4259","markDefs":[],"children":[{"text":"I shouldn’t have been nervous. After the readings, I found myself speaking to many of the poets and the literary community there tonight – people whose faces looked like mine. ","_key":"1e1a8e8a42590","_type":"span","marks":[]},{"_type":"span","marks":["em"],"text":"This had never happened before","_key":"1e1a8e8a42591"},{"_type":"span","marks":[],"text":". It gave me a warm feeling deep in my chest. As an Asian writer, reading ","_key":"1e1a8e8a42592"},{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"1e1a8e8a42593"},{"_key":"1e1a8e8a42594","_type":"span","marks":[],"text":" felt like a new manifestation of home."}],"_type":"block"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"","_key":"cd85e2128eb50"}],"_type":"block","style":"normal","_key":"cd85e2128eb5"},{"markDefs":[],"children":[{"marks":[],"text":"---","_key":"89d59cce55fe0","_type":"span"}],"_type":"block","style":"normal","_key":"89d59cce55fe"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"","_key":"19f34d76ba440"}],"_type":"block","style":"normal","_key":"19f34d76ba44"},{"style":"normal","_key":"93cebc6d70c6","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Home itself manifests in many ways in ","_key":"93cebc6d70c60"},{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"93cebc6d70c61"},{"_type":"span","marks":[],"text":". Throughout the anthology, there is a return to place. Spaces between ‘here’ and ‘there’ are collapsed in these writings. In ‘KL Sunrise’, Tze Ming Mok writes from Mt Roskill to KL to Singapore. In ‘Migrating tendencies’, Han Mei Nguyen writes from Auckland to Vietnam. Shriya Bhagwatwrites to Mumbai, inspired by her time there during the floods:\n","_key":"93cebc6d70c62"}],"_type":"block"},{"_type":"block","style":"normal","_key":"870a7de80fee","markDefs":[],"children":[{"_type":"span","marks":[],"text":"“Are you coming home?”","_key":"870a7de80fee0"}]},{"children":[{"_type":"span","marks":[],"text":"","_key":"353787115aff0"}],"_type":"block","style":"normal","_key":"353787115aff","markDefs":[]},{"markDefs":[],"children":[{"_type":"span","marks":["em"],"text":"Home","_key":"7de61abef6790"},{"_key":"7de61abef6791","_type":"span","marks":[],"text":". It’s a loaded word. It has many meanings. It can be many places, and one place, and no place, all at once. It has many forms in this collection. It is banana curry, it is a prayer, it is family. But most of all, it’s a feeling. One that’s instantly recognisable in its many iterations."}],"_type":"block","style":"normal","_key":"7de61abef679"}],"_key":"row-4927"},{"_type":"articleShortquote","description":[{"children":[{"_type":"span","marks":[],"text":"Home has many meanings ... It is banana curry, it is a prayer, it is family. But most of all, it’s a feeling","_key":"f6d10d4131f90"}],"_type":"block","style":"normal","_key":"f6d10d4131f9","markDefs":[]}],"_key":"row-4930"},{"_type":"articleText","description":[{"style":"normal","_key":"f23c314f4e3b","markDefs":[],"children":[{"_type":"span","marks":[],"text":"As I read these works, I am reminded of folding dumplings with my mother, on the kitchen island, gossiping. Of holding my father’s hand through a crowded Chinese food court, having phở and pork belly in Newmarket. Of napping on my Gong Gong’s big belly in the afternoon heat of Melaka.","_key":"f23c314f4e3b0"}],"_type":"block"},{"children":[{"_type":"span","marks":[],"text":"Ancestry, tradition and connection are here too, reflecting the struggle and the passion of the Asian diaspora. Gaps between meaning and language are explored in poems like Nina Mingya Powles’ ‘Mother tongue / 母语’ and fiction like Eva Wong Ng’s ‘Kwong Tao Uncle’. But, equally, meaning transcends language.","_key":"ecc6c74bf83d0"}],"_type":"block","style":"normal","_key":"ecc6c74bf83d","markDefs":[]},{"style":"normal","_key":"62e1c9833bc6","markDefs":[],"children":[{"_type":"span","marks":[],"text":"“The ceremonial burning is passed down matrilineally – the line which carries water – the line estranged from luck – the line which walks hand-in-hand with demons … ","_key":"62e1c9833bc60"},{"_type":"span","marks":["em"],"text":"does it begin in the blood? / does it begin in the water? ","_key":"62e1c9833bc61"},{"_key":"62e1c9833bc62","_type":"span","marks":[],"text":"… Water lives in the interval between one piece of land and another … "},{"_type":"span","marks":["em"],"text":"the thread is made of flesh","_key":"62e1c9833bc63"},{"text":".”","_key":"62e1c9833bc64","_type":"span","marks":[]}],"_type":"block"},{"_key":"e890df48b622","markDefs":[],"children":[{"marks":[],"text":"This excerpt from Manisha Anjali’s ‘the thread is made of flesh’ explores how heritage and ritual cut across national ties. It’s an expression of a desire to ","_key":"e890df48b6220","_type":"span"},{"_key":"e890df48b6221","_type":"span","marks":["em"],"text":"know "},{"_type":"span","marks":[],"text":"ourselves.","_key":"e890df48b6222"}],"_type":"block","style":"normal"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"The tīpuna of the writers are present throughout the anthology. From Wen-Juenn Lee’s‘Love letter to my mother: a work in progress’; to Fei Fei’s grandmother preparing for the Hungry Ghost festival in Bernadette How’s excerpt from ","_key":"9e547012b8730"},{"_type":"span","marks":["em"],"text":"Fei Lou","_key":"9e547012b8731"},{"_type":"span","marks":[],"text":"; to the grandmother in Nod Ghosh’s ‘The Knot in the Cream Sari’; a desire to understand where one comes from, and who we owe ourselves to, is present in ","_key":"9e547012b8732"},{"text":"A Clear Dawn","_key":"9e547012b8733","_type":"span","marks":["em"]},{"_key":"9e547012b8734","_type":"span","marks":[],"text":"."}],"_type":"block","style":"normal","_key":"9e547012b873"}],"_key":"row-4931"},{"_type":"articleShortquote","description":[{"markDefs":[],"children":[{"marks":[],"text":"It’s ok to sound Filipino / if you’re Filipino","_key":"8c489dfc2e4a0","_type":"span"}],"_type":"block","style":"normal","_key":"8c489dfc2e4a"}],"_key":"row-4932"},{"description":[{"markDefs":[],"children":[{"text":"For many Asian diaspora, questions of identity come up often when we are caught between worlds, between countries and between languages. But underlying these struggles is our immense capacity for connection. Our capacity for connection even after death, as Lynette Leong portrays in her poem ‘Qing Ming’, and as Luo Hui describes in ‘Ghost records’.","_key":"aa9a623402df0","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"aa9a623402df"},{"style":"normal","_key":"a3f1b706fb31","markDefs":[],"children":[{"_type":"span","marks":[],"text":"“In the part of the countryside where I grew up, children were taught to be mindful of the dead. The graves were right inside the vegetable gardens.”","_key":"a3f1b706fb310"}],"_type":"block"},{"markDefs":[],"children":[{"text":"Blood, water, tradition and food keep us together.","_key":"336e7ad81eb90","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"336e7ad81eb9"},{"_type":"block","style":"normal","_key":"0320c759419e","markDefs":[],"children":[{"_key":"0320c759419e0","_type":"span","marks":[],"text":"Food is explored here too. Gemishka Chetty connects banana curry to the “world of the priest’s blessing at the temple” in her poem ‘Two colours’. Joy Tong connects food to cultural identity in ‘little walnuts.’"}]},{"style":"normal","_key":"c18443b53ae3","markDefs":[],"children":[{"_key":"c18443b53ae30","_type":"span","marks":[],"text":""}],"_type":"block"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"“","_key":"372384ec88be0"},{"text":"what can I bring back for you?","_key":"372384ec88be1","_type":"span","marks":["em"]}],"_type":"block","style":"normal","_key":"372384ec88be"},{"_key":"30eb7ea3ac22","markDefs":[],"children":[{"marks":[],"text":"her smile like furls of steaming jasmine tea","_key":"30eb7ea3ac220","_type":"span"}],"_type":"block","style":"normal"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"amidst clamouring children …","_key":"9ed5d1b93fb50"}],"_type":"block","style":"normal","_key":"9ed5d1b93fb5"},{"style":"normal","_key":"dd8faad7e1b4","markDefs":[],"children":[{"_type":"span","marks":[],"text":"","_key":"dd8faad7e1b40"}],"_type":"block"},{"style":"normal","_key":"5b0c7bdb8554","markDefs":[],"children":[{"text":"I always ask for my little walnuts.”","_key":"5b0c7bdb85540","_type":"span","marks":[]}],"_type":"block"},{"markDefs":[],"children":[{"text":"When I finish reading these poems, I close my eyes and taste durian, dense, sweet and creamy. It is what my parents would call a ‘hot’ food, contrasting the radiating coolness of the tiles beneath me.","_key":"5db7e2a8ba2f0","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"5db7e2a8ba2f"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"But not all poems carry themes of identity and heritage. Many deal with the realities of simply existing. Everyday life, human emotion, human relationships. Sigred Yamit struggles with her accent in the poem ‘The F word’, writing, “it’s ok to sound Filipino / if you’re Filipino.”","_key":"3854952fb2660"}],"_type":"block","style":"normal","_key":"3854952fb266"}],"_key":"row-4933","_type":"articleText"},{"_type":"articleShortquote","description":[{"markDefs":[],"children":[{"marks":[],"text":"A Clear Dawn and its contributors have given a voice to our Asian whānau","_key":"4e7653d17d230","_type":"span"}],"_type":"block","style":"normal","_key":"4e7653d17d23"}],"_key":"row-4934"},{"_type":"articleText","description":[{"_type":"block","style":"normal","_key":"acc26bd42191","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Some works looked insightfully at the cultural positioning of ‘Asians’ as an ethnic group. Wai Ho, Natasha Lay, Sherry Zhang, Vanessa Crofskey and Aiwa Pooamorn all deal with the sexual politics of being an Asian woman in a Pākehā-dominated society.","_key":"acc26bd421910"}]},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"Works like Sherry Zhang’s poem ‘I cannot write a poem about China’, after Tusiata Avia’s ‘I cannot write a poem about Gaza’, explore how these identity politics can affect every aspect of life for the Asian diaspora. Our community shares this in common with many other migrant communities.","_key":"f8a7b56eb45e0"}],"_type":"block","style":"normal","_key":"f8a7b56eb45e"},{"markDefs":[],"children":[{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"52d2044f9cad0"},{"text":" and its contributors have given a voice to our Asian whānau, who have so often been silent and silenced. Of course, there can always be more voices in the conversation. But poems like Han Mai Nguyen’s ‘Lorry heaven’ begin to uncover the depths to which the struggles of our communities have been underrepresented.","_key":"52d2044f9cad1","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"52d2044f9cad"},{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"Not only does the release of ","_key":"fc9fa4c8c8600"},{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"fc9fa4c8c8601"},{"_type":"span","marks":[],"text":" coincide with an increased desire to know ","_key":"fc9fa4c8c8602"},{"_key":"fc9fa4c8c8603","_type":"span","marks":["em"],"text":"who we are"},{"_type":"span","marks":[],"text":" as the Asian diaspora of Aotearoa, but it also coincides with a heightened awareness of the discrimination our communities face. As the Covid-19 pandemic continues, the Asian community faces the alienation of our Indian whānau, violence against our wāhine, elders and youth. We are tired.","_key":"fc9fa4c8c8604"}],"_type":"block","style":"normal","_key":"fc9fa4c8c860"},{"children":[{"_type":"span","marks":["em"],"text":"A Clear Dawn","_key":"cbcf92b5d6970"},{"_key":"cbcf92b5d6971","_type":"span","marks":[],"text":" marks a renewed refusal to remain silent. Although diverse, we unite to give voice to injustice and see our experiences represented on the page."}],"_type":"block","style":"normal","_key":"cbcf92b5d697","markDefs":[]},{"_key":"488f9bfff976","markDefs":[],"children":[{"_key":"488f9bfff9760","_type":"span","marks":[],"text":"“"},{"_type":"span","marks":["em"],"text":"Our karanga opens the way … a new conversation begins","_key":"488f9bfff9761"},{"marks":[],"text":".” – Paula Morris and Alison Wong, ","_key":"488f9bfff9762","_type":"span"},{"marks":["em"],"text":"A Clear Dawn,","_key":"488f9bfff9763","_type":"span"},{"_type":"span","marks":[],"text":" 2021.","_key":"488f9bfff9764"}],"_type":"block","style":"normal"}],"_key":"row-4935"}],"name":"The First Anthology of Asian Voices from Aotearoa: A Homecoming","_type":"article","_rev":"3qD2AEld3k6AuWALRhDsfM","videoUrl":"","authors":[{"_rev":"klew05S92G2K1WM03cLMEy","lastName":"Seah","_type":"author","_id":"author-556","name":"Naomii Seah","image":{"railsData":{"id":"image/8275/attachment/e898a98f1263de14ee1124d5eb5c0ea8","storage":"store","metadata":{"filename":null,"size":1982412,"mime_type":"image/jpeg","width":2519,"height":3543}},"_type":"image","alt":null,"_key":"7330a825cf6d","asset":{"_weak":true,"_ref":"image-a0a5bb14a3865aba9d9e8191fe2ef15cb8226740-1422x2000-jpg","_type":"reference"}},"handle":{"current":"Naomii-Seah"},"firstName":"Naomii","_createdAt":"2022-07-07T00:14:24Z","role":"Kaituhi Tūtahi | Contributing Writer","description":[{"children":[{"_type":"span","marks":[],"text":"Naomii Seah is a writer and poet from Tāmaki Makaurau Auckland. Her work has previously been published in Critic, Starling, takahē and Mayhem, with upcoming work on GayNZ.com. You can contact Naomii at naomii.seah@gmail.com.","_key":"48bde402c9d30"}],"_type":"block","style":"normal","_key":"48bde402c9d3","markDefs":[]}],"excerpt":[{"style":"normal","_key":"0001","markDefs":[],"children":[{"marks":[],"text":"Kaituhi Tūtahi | Contributing Writer","_key":"0002","_type":"span"}],"_type":"block"}],"_updatedAt":"2023-04-04T23:23:29Z","status":"writer","seo":{"description":"Kaituhi Tūtahi | Contributing Writer","title":"Naomii Seah"}}],"handle":{"current":"asian-voices-aotearoa"},"categories":[{"_id":"category-8","_type":"category","name":"Literature","handle":{"current":"literature"}}],"articles":null,"fallbackArticles":[{"content":[],"_createdAt":"2024-03-26T01:17:45Z","image":{"_type":"image","asset":{"extension":"jpg","metadata":{"hasAlpha":false,"lqip":"data:image/jpeg;base64,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","dimensions":{"width":1920,"aspectRatio":1.7777777777777777,"height":1080,"_type":"sanity.imageDimensions"},"isOpaque":true,"blurHash":"MRLf2nEDSvj[wGQ7x?IYS3w}^*$|V?M|I;","_type":"sanity.imageMetadata","palette":{"_type":"sanity.imagePalette","darkMuted":{"background":"#4c293e","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.01},"muted":{"background":"#4980a2","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":1.89},"lightVibrant":{"population":0.36,"background":"#f4c08c","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000"},"darkVibrant":{"background":"#a81009","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.54},"lightMuted":{"background":"#d5c7ae","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000","population":0.52},"vibrant":{"background":"#ee1720","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":4.06},"dominant":{"background":"#ee1720","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":4.06}}},"url":"https://cdn.sanity.io/images/wcs514e0/production/b049083fa5cc6e568ae63aa244db10bf829dcd8d-1920x1080.jpg","assetId":"b049083fa5cc6e568ae63aa244db10bf829dcd8d","_type":"sanity.imageAsset","mimeType":"image/jpeg","size":1772457,"_createdAt":"2024-03-26T23:09:25Z","_updatedAt":"2024-03-26T23:09:25Z","sha1hash":"b049083fa5cc6e568ae63aa244db10bf829dcd8d","_id":"image-b049083fa5cc6e568ae63aa244db10bf829dcd8d-1920x1080-jpg","uploadId":"qVtAsFbLFTl3uuQnSItbJysg4KF4fjUA","_rev":"PCX1zSU1H9DsJQsoPGkE7l","path":"images/wcs514e0/production/b049083fa5cc6e568ae63aa244db10bf829dcd8d-1920x1080.jpg","originalFilename":"FarewellPanto_Header.jpg"}},"handle":{"current":"long-live-pantograph-punch","_type":"slug"},"seo":{"image":{"_type":"image","asset":{"_ref":"image-b049083fa5cc6e568ae63aa244db10bf829dcd8d-1920x1080-jpg","_type":"reference"}},"description":"The Pantograph Punch team reflect on 14 years of continuous publishing as a stalwart arts media journal (are we allowed to say this about ourselves?), and our choice to go on hiatus.","title":"Long Live Pantograph Punch, Forever"},"articles":[{"_ref":"0bd6a3ea-e8df-4f7a-87c4-23b85e76e0d8","_type":"article","_key":"0648024623b7","_weak":true},{"_key":"83367d09cb11","_weak":true,"_ref":"48caba0f-711a-44e1-8c00-eddf84ee5b56","_type":"article"},{"_type":"article","_key":"f2e87aab8b19","_weak":true,"_ref":"article-2023"}],"_updatedAt":"2024-03-28T20:05:40Z","_rev":"epxe4jNPwdD0QAYengIuu1","_id":"b1c30879-0143-4be5-815d-9d42a60caa63","_type":"article","isFeatured":true,"readTime":"22 min","name":"Long Live Pantograph Punch, Forever","authors":[{"description":[{"markDefs":[],"children":[{"text":"The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.","_key":"e485a1dbb4a70","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"e485a1dbb4a7"}],"firstName":"Pantograph","excerpt":[{"markDefs":[],"children":[{"_key":"0002","_type":"span","marks":[],"text":"The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa."}],"_type":"block","style":"normal","_key":"0001"}],"_type":"author","_createdAt":"2022-07-07T00:29:25Z","status":"writer","_updatedAt":"2023-04-04T23:38:34Z","role":"The Pantograph Punch","_rev":"1ODH5YGrdPy9lpymO808Ji","handle":{"current":"pantograph-punch"},"lastName":"Punch","image":{"_type":"image","alt":null,"_key":"5c269d9b3bc9","asset":{"_ref":"image-760dc90421c0d132e7faee79c51c4c47a19d9b8f-1299x886-jpg","_type":"reference","_weak":true},"railsData":{"storage":"store","metadata":{"width":1299,"height":886,"filename":null,"size":403471,"mime_type":"image/jpeg"},"id":"image/7217/attachment/f8d6d5bcb70ab41c4c9a63701b39768a"}},"seo":{"description":"","title":"Pantograph Punch"},"name":"Pantograph Punch","_id":"author-6"}],"categories":[{"_id":"category-15","_type":"category","name":"News","handle":{"current":"news"}}],"tags":["PIJF"],"excerpt":[{"_type":"block","style":"normal","_key":"4f37d2575ee0","markDefs":[],"children":[{"_type":"span","marks":[],"text":"The Pantograph Punch team reflect on 14 years of continuous publishing as a stalwart arts media journal (are we allowed to say this about ourselves?), and our choice to go on hiatus.","_key":"591eb2954b350"}]}],"publishedAt":"2024-03-28T20:05:39.734Z"},{"_type":"article","_updatedAt":"2024-03-27T20:01:02Z","image":{"_type":"image","asset":{"metadata":{"isOpaque":true,"blurHash":"e1J@Bg^ME6~UD*00%KWURjjZr^jYxsWVof^*s,jZW=oJ0g%1WBRkWX","_type":"sanity.imageMetadata","palette":{"vibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":13,"background":"#bc9b72"},"dominant":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":13.33,"background":"#b4946c"},"_type":"sanity.imagePalette","darkMuted":{"population":0.67,"background":"#6f5430","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"muted":{"population":11.33,"background":"#a4865e","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"lightVibrant":{"population":0.32,"background":"#ccad83","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff"},"darkVibrant":{"title":"#fff","population":0.01,"background":"#553611","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"lightMuted":{"background":"#b4946c","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":13.33}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAUABQDASIAAhEBAxEB/8QAGAABAAMBAAAAAAAAAAAAAAAAAAECBAX/xAAhEAACAgEDBQEAAAAAAAAAAAABAgADERIhMRMiMkFhsf/EABYBAQEBAAAAAAAAAAAAAAAAAAAFAf/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AOmoTWQQSPyRUilGJz8M011qNahTj3LV1ZpwV2HEgqrHUqhPHMTXXRZp2AxE0XVj1Zal279+IiARiRnJiIgf/9k=","dimensions":{"height":1200,"_type":"sanity.imageDimensions","width":1200,"aspectRatio":1}},"_type":"sanity.imageAsset","size":2491763,"_id":"image-817e6ed5548316d82a699707ce8fc29a4a268437-1200x1200-jpg","extension":"jpg","uploadId":"qehvB0rqtfbgotu9rr0s3bszahSYRY3o","path":"images/wcs514e0/production/817e6ed5548316d82a699707ce8fc29a4a268437-1200x1200.jpg","originalFilename":"3_awa matangi.jpg","_rev":"fm0PDf7BQsDcIoTdc87t8T","mimeType":"image/jpeg","url":"https://cdn.sanity.io/images/wcs514e0/production/817e6ed5548316d82a699707ce8fc29a4a268437-1200x1200.jpg","assetId":"817e6ed5548316d82a699707ce8fc29a4a268437","_updatedAt":"2024-03-26T21:45:36Z","sha1hash":"817e6ed5548316d82a699707ce8fc29a4a268437","_createdAt":"2024-03-26T21:45:36Z"}},"seo":{"image":{"asset":{"_ref":"image-817e6ed5548316d82a699707ce8fc29a4a268437-1200x1200-jpg","_type":"reference"},"_type":"image"},"description":"Te Rā, the only remaining Māori sail, has temporarily returned home. Mya Morrison-Middleton visits Te Rā, asking questions of its origins and future, while highlighting the work of those who are actively reviving Māori sails.","title":"Opening Portals with Our Hands: On Te Rā, the Māori Sail"},"_rev":"fm0PDf7BQsDcIoTdcF9uFN","readTime":"15 mins","_createdAt":"2024-03-26T08:49:18Z","authors":[{"role":"Kaituhi Kaupapa Māori | Kaupapa Māori Staff Writer","excerpt":[{"_type":"block","style":"normal","_key":"0001","markDefs":[],"children":[{"text":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti.","_key":"0002","_type":"span","marks":[]}]}],"firstName":"Mya","seo":{"description":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti, currently working at Blue Oyster Art Project Space.","title":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti, currently working at Blue Oyster Art Project Space.","image":{"_type":"image","asset":{"_ref":"image-a0941a155c0879e3cae937454fa7a3886c14734e-889x1334-jpg","_type":"reference"}}},"status":"team","_createdAt":"2022-07-07T00:19:53Z","image":{"_key":"e480dfbebc4f","asset":{"_weak":true,"_ref":"image-1f508eb1e351522abda5a54939cd515e2c44c955-889x1334-jpg","_type":"reference"},"railsData":{"metadata":{"mime_type":"image/jpeg","width":889,"height":1334,"filename":null,"size":141702},"id":"image/9988/attachment/1094c6ea53c3cab02178595322e3e84b","storage":"store"},"_type":"image","alt":null},"handle":{"current":"mya-morrison-middleton"},"_updatedAt":"2023-11-01T21:32:30Z","description":[{"style":"normal","_key":"d3b8c7b88771","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti. She currently works at Dunedin Public Art Gallery and holds a Bachelor of Arts from Otago University. More recently she has exhibited at Paemanu: Tauraka Toi, and co-curated He Reka Te Kūmara. \n\nThis role is Public Interest Journalism funded by NZ On Air.","_key":"d3b8c7b887710"}],"_type":"block"}],"name":"Mya Morrison-Middleton","lastName":"Morrison-Middleton","_type":"author","_id":"author-371","_rev":"6A1LlYz54jYGCn2JRLaYkQ"}],"content":[],"handle":{"current":"te-ra-the-maori-sail","_type":"slug"},"name":"Opening Portals with Our Hands: On Te Rā, the Māori Sail","isFeatured":true,"_id":"0bd6a3ea-e8df-4f7a-87c4-23b85e76e0d8","publishedAt":"2024-03-27T20:00:56.502Z","tags":["PIJF"],"categories":[{"_id":"category-1","_type":"category","name":"Art","handle":{"current":"art"}}],"excerpt":[{"_key":"14e149ae496a","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Te Rā, the only remaining Māori sail, has temporarily returned home. Mya Morrison-Middleton visits Te Rā, asking questions of its origins and future, while highlighting the work of those who are actively reviving Māori sails.","_key":"df557bec44780"}],"_type":"block","style":"normal"}]},{"_id":"f26f5fb2-c90b-4f2e-b4be-0e1542db09aa","categories":[{"_id":"category-8","_type":"category","name":"Literature","handle":{"current":"literature"}}],"handle":{"current":"state-of-disconnection","_type":"slug"},"_updatedAt":"2024-03-26T20:09:00Z","readTime":"5 mins","_type":"article","authors":[{"handle":{"current":"matariki-williams"},"lastName":"Williams","role":"Kaituhi Tūtahi | Contributing Writer","seo":{"description":"","title":"Matariki Williams"},"description":[{"markDefs":[],"children":[{"text":"Matariki Williams (Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, Te Atihaunui-a-Pāpārangi) is a doctoral candidate, curator, writer and editor in the arts and cultural sector. Previous roles include as Senior Historian, Mātauranga Māori at the Ministry for Culture and Heritage and Curator Mātauranga Māori at Te Papa Tongarewa, the Museum of New Zealand.","_key":"b546001a54920","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"b546001a5492"}],"excerpt":[{"style":"normal","_key":"65a137c32731","markDefs":[],"children":[{"marks":[],"text":"Matariki Williams (Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, Te Atihaunui-a-Pāpārangi) is a doctoral candidate, curator, writer and editor in the arts and cultural sector. Previous roles include as Senior Historian, Mātauranga Māori at the Ministry for Culture and Heritage and Curator Mātauranga Māori at Te Papa Tongarewa, the Museum of New Zealand.","_key":"a9f96321ba1e0","_type":"span"}],"_type":"block"}],"_rev":"q2nP9nePC73hnMJzxtaexS","status":"writer","firstName":"Matariki","_id":"author-275","image":{"asset":{"_weak":true,"_ref":"image-84d597cf3afda2f2a492c4799904801ca3a95846-852x1136-jpg","_type":"reference"},"railsData":{"metadata":{"size":89624,"mime_type":"image/jpeg","width":852,"height":1136,"filename":"profile_pic.jpg"},"id":"image/263/attachment/e74563a2f550d10a9fbb23431edb4eb4.jpg","storage":"store"},"_type":"image","alt":null,"_key":"27923476e9c7"},"_createdAt":"2022-07-07T00:22:53Z","_type":"author","_updatedAt":"2024-03-15T02:35:41Z","name":"Matariki Williams"}],"_rev":"0gF50hV3oGzxN70YylrPZJ","image":{"_type":"image","asset":{"uploadId":"4SsFH8AqP1tfMFkFUpp3RjTZNPjgQEe4","_id":"image-913224cedf678286bb3319eb9a7444e35783c218-3456x1207-jpg","extension":"jpg","_type":"sanity.imageAsset","sha1hash":"913224cedf678286bb3319eb9a7444e35783c218","path":"images/wcs514e0/production/913224cedf678286bb3319eb9a7444e35783c218-3456x1207.jpg","_createdAt":"2024-03-25T07:31:43Z","_updatedAt":"2024-03-25T07:31:43Z","originalFilename":"turncoat copy.jpg","metadata":{"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAHABQDASIAAhEBAxEB/8QAFgABAQEAAAAAAAAAAAAAAAAAAAUH/8QAIBAAAQMEAgMAAAAAAAAAAAAAAwABAgQFBhEHITFRYv/EABQBAQAAAAAAAAAAAAAAAAAAAAT/xAAbEQACAwADAAAAAAAAAAAAAAAAAQIDEQQUI//aAAwDAQACEQMRAD8AzQ/EORBi76pZa9FZQrphF0oZaIMfTd6I3lES+L6PJDZUx1ogFtNSObxlCO2+mRETepWDaP/Z","dimensions":{"_type":"sanity.imageDimensions","width":3456,"aspectRatio":2.8632974316487156,"height":1207},"isOpaque":true,"blurHash":"DC9%9;~BbWr_sD004;jKSwSe","_type":"sanity.imageMetadata","palette":{"dominant":{"background":"#e198b0","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":4.98},"_type":"sanity.imagePalette","darkMuted":{"population":1.85,"background":"#67346a","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"muted":{"title":"#fff","population":3.11,"background":"#5c51a1","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"lightVibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":4.98,"background":"#e198b0"},"darkVibrant":{"background":"#540c2c","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0},"lightMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0.1,"background":"#d0acd5"},"vibrant":{"title":"#fff","population":0.09,"background":"#1fb9c6","_type":"sanity.imagePaletteSwatch","foreground":"#fff"}}},"mimeType":"image/jpeg","assetId":"913224cedf678286bb3319eb9a7444e35783c218","_rev":"UEyxIfxQT4MxKwtfDsd1D3","url":"https://cdn.sanity.io/images/wcs514e0/production/913224cedf678286bb3319eb9a7444e35783c218-3456x1207.jpg","size":296386}},"seo":{"description":"What if Pākehā were subjected to the same colonisation as Māori? Matariki Williams travels into the sci-fi world of 'Turncoat' - where an all-too-familiar narrative of colonisation plays out amongst aliens and humans.","title":"A State of Disconnection: The Human Alien Relationship of Turncoat","image":{"_type":"image","asset":{"_ref":"image-913224cedf678286bb3319eb9a7444e35783c218-3456x1207-jpg","_type":"reference"}}},"isFeatured":true,"tags":["PIJF"],"_createdAt":"2024-03-25T07:22:58Z","publishedAt":"2024-03-26T20:08:51.145Z","content":[],"excerpt":[{"children":[{"_type":"span","marks":[],"text":"What if Pākehā were subjected to the same colonisation as Māori? Matariki Williams travels into the sci-fi world of 'Turncoat' - where an all-too-familiar narrative of colonisation plays out amongst aliens and humans.","_key":"8848734f7ae20"}],"_type":"block","style":"normal","_key":"6cc9b5a16dfd","markDefs":[]}],"name":"A State of Disconnection: The Human Alien Relationship of Turncoat"},{"handle":{"current":"looking-at-things-as-a-whole","_type":"slug"},"_type":"article","isFeatured":true,"image":{"_type":"image","asset":{"uploadId":"zf1hTGZ9HCIqWIBb2tNzOQ39hw26cU3U","url":"https://cdn.sanity.io/images/wcs514e0/production/e1e203f790aa907205e5d61915a6addfbc37d226-2500x1286.jpg","metadata":{"dimensions":{"_type":"sanity.imageDimensions","width":2500,"aspectRatio":1.9440124416796267,"height":1286},"isOpaque":true,"blurHash":"M57^b|of0L?G}@s,WBNGkCt70fWC={IoEM","_type":"sanity.imageMetadata","palette":{"muted":{"title":"#fff","population":4.59,"background":"#937563","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"lightVibrant":{"background":"#d4bca4","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0},"darkVibrant":{"background":"#5d442c","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.29},"lightMuted":{"background":"#c5b1a8","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0.3},"vibrant":{"population":0,"background":"#ad7e51","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"dominant":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":4.59,"background":"#937563"},"_type":"sanity.imagePalette","darkMuted":{"title":"#fff","population":0.19,"background":"#5c3c2c","_type":"sanity.imagePaletteSwatch","foreground":"#fff"}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAKABQDASIAAhEBAxEB/8QAGQAAAgMBAAAAAAAAAAAAAAAAAAUCBAYH/8QAIRAAAgICAgEFAAAAAAAAAAAAAQIAAxESBZEEEyEiUXH/xAAVAQEBAAAAAAAAAAAAAAAAAAADAv/EABkRAAMBAQEAAAAAAAAAAAAAAAABIQIREv/aAAwDAQACEQMRAD8A4cfC1aoDJ3AJj7nuM42nh/U8WspfWQpIbO37MnS75X5N3LVljmtwXbGfuG81UXOo4LnyGI1PUJF2Ox9z3CX5D6f/2Q=="},"mimeType":"image/jpeg","size":218268,"assetId":"e1e203f790aa907205e5d61915a6addfbc37d226","_createdAt":"2024-03-24T23:03:04Z","_id":"image-e1e203f790aa907205e5d61915a6addfbc37d226-2500x1286-jpg","_updatedAt":"2024-03-24T23:03:04Z","_type":"sanity.imageAsset","path":"images/wcs514e0/production/e1e203f790aa907205e5d61915a6addfbc37d226-2500x1286.jpg","originalFilename":"KATEF1.jpg","extension":"jpg","_rev":"7E5SMh3g8sADeCYHbOb5Cu","sha1hash":"e1e203f790aa907205e5d61915a6addfbc37d226"}},"_updatedAt":"2024-03-26T06:56:46Z","tags":["PIJF"],"seo":{"image":{"_type":"image","asset":{"_ref":"image-e1e203f790aa907205e5d61915a6addfbc37d226-2500x1286-jpg","_type":"reference"}},"description":"Tunmise Adebowale finds warmth and unexpected connections between wooden carvings of twins from her Yoruba whakapapa, and Ōtepoti-artist Kate Fitzharris’ works at Dunedin Public Art Gallery.","title":"Looking at Things as a Whole"},"name":"Looking at Things as a Whole","articles":[{"_ref":"article-2024","_type":"article","_key":"da0477f5ab2f","_weak":true},{"_weak":true,"_ref":"694d4146-d820-4450-94f1-1ceecebcf725","_type":"article","_key":"8a64ca5a381f"},{"_key":"b6b629df5e7f","_weak":true,"_ref":"0e73845a-edc3-4090-8834-f0d9cb6c9257","_type":"article"}],"authors":[{"firstName":"Tunmise ","excerpt":[{"_key":"4a4d8cca0c16","markDefs":[{"href":"https://oizystunmise.substack.com/","_key":"945744e8583d","_type":"link"}],"children":[{"_type":"span","marks":[],"text":"Tunmise Adebowale is a Nigerian-born New Zealander currently studying at the University of Otago. She's the winner of the 2023 Poetry Aotearoa Yearbook Student competition in the Year 13 category, and the 2023 Sargeson Short Story Award for the Secondary Schools Division. Her work has been published in Turbine-Kapohau, Newsroom, NZ Poetry Shelf and Verb Wellington. She was also featured in Theatrefolk's 2021 collection: BIPOC Voices and Perspectives Monologue. You can find her on Substack: ","_key":"d92b4e79d0130"},{"_key":"d92b4e79d0131","_type":"span","marks":["945744e8583d"],"text":"https://oizystunmise.substack.com/"}],"_type":"block","style":"normal"}],"description":[{"style":"normal","_key":"10308056bf32","markDefs":[{"_type":"link","href":"https://oizystunmise.substack.com/","_key":"3c4a4d95557a"}],"children":[{"_type":"span","marks":[],"text":"Tunmise Adebowale is a Nigerian-born New Zealander currently studying at the University of Otago. She's the winner of the 2023 Poetry Aotearoa Yearbook Student competition in the Year 13 category, and the 2023 Sargeson Short Story Award for the Secondary Schools Division. Her work has been published in Turbine-Kapohau, Newsroom, NZ Poetry Shelf and Verb Wellington. She was also featured in Theatrefolk's 2021 collection: ","_key":"7e897bb3dfca0"},{"text":"BIPOC Voices and Perspectives Monologue","_key":"7e897bb3dfca1","_type":"span","marks":["em"]},{"_type":"span","marks":[],"text":". You can find her on Substack: ","_key":"7e897bb3dfca2"},{"_key":"7e897bb3dfca3","_type":"span","marks":["3c4a4d95557a"],"text":"https://oizystunmise.substack.com/"}],"_type":"block"}],"lastName":"Adebowale","_type":"author","name":"Tunmise Adebowale","_id":"a08d3841-ae07-4ee1-8e54-265785aef07b","handle":{"current":"tunmise-adebowale","_type":"slug"},"image":{"_upload":{"initiated":"2024-03-25T08:48:23.221Z","progress":100,"updated":"2024-03-25T08:48:25.432Z","previewImage":"data:image/jpeg;base64,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","file":{"name":"Tunmise Picture.JPG","type":"image/jpeg"}},"_type":"image","asset":{"_type":"reference","_ref":"image-715f745c3122ee4598570d3999f135feb864d65d-800x800-jpg"}},"role":"Kaituhi Tūtahi | Contributing Writer","_rev":"7E5SMh3g8sADeCYHbPnbdl","_updatedAt":"2024-03-25T08:48:29Z","_createdAt":"2024-03-22T02:29:16Z","seo":{"image":{"_type":"image","asset":{"_ref":"image-715f745c3122ee4598570d3999f135feb864d65d-800x800-jpg","_type":"reference"}},"description":"Tunmise Adebowale is a Nigerian-born New Zealander based in Dunedin. She is a writer and artist. Her work has been published in Turbine-Kapohau, Newsroom, NZ Poetry Shelf, Verb Wellington, the 2023 and 2021 Re-Draft editions, and was featured in the Canadian theatre company, Theatrefolk's 2021 BIPOC Voices and Perspectives Monologue Collection. Tunmise is a member of the Ōtepoti Writers Lab and the Dunedin Youth Writers Association. Tunmise's script and poem won Best Cultural Story Nationally in the 2022 ShowQuest Competition. She has also been invited to perform her poems at the 2021, 2022, and 2023 New Zealand Young Writers Festival.","title":"Tunmise Adebowale"},"status":"writer"}],"categories":[{"_id":"category-1","_type":"category","name":"Art","handle":{"current":"art"}}],"publishedAt":"2024-03-25T19:51:47.168Z","readTime":"9m","excerpt":[{"style":"normal","_key":"be262caaa23d","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Tunmise Adebowale finds warmth and unexpected connections between wooden carvings of twins from her Yoruba whakapapa, and Ōtepoti-artist Kate Fitzharris’ works at Dunedin Public Art Gallery.","_key":"67b9ed3e8e3f0"}],"_type":"block"}],"_createdAt":"2024-03-22T01:59:25Z","_rev":"GK5ySdYa6uXFtqC6iCnjLa","_id":"ae9fcee1-8f47-4e21-9694-94056937eab0","content":[]},{"excerpt":[{"style":"normal","_key":"eccd96ed41e2","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Pip Laufiso was born and raised in Ōtepoti and her contributions to Māori and Pacific arts in this city have spanned decades. Stacey Kokaua reflects on how Pip influences a community of creatives in a city not often recognised for a brown arts culture.","_key":"a1c46d0921e60"}],"_type":"block"}],"_id":"d975b23c-f254-4c10-bb48-65bb3a68ee4e","categories":[{"_id":"category-14","_type":"category","name":"Society","handle":{"current":"society"}}],"readTime":"10 mins","tags":["PIJF","DUNEDINCRITICALCOVERAGE"],"_createdAt":"2024-03-20T19:39:09Z","content":[],"seo":{"description":"Pip Laufiso was born and raised in Ōtepoti and her contributions to Māori and Pacific arts in this city have spanned decades. Stacey Kokaua reflects on how Pip influences a community of creatives in a city not often recognised for a brown arts culture.","title":"Pip Laufiso: Living and Breathing Pacific Arts in the Deep South","image":{"_type":"image","asset":{"_ref":"image-c1e2d29f9682ec89ef81f03cdcf20f53ab1caea7-535x401-jpg","_type":"reference"}}},"name":"Pip Laufiso: Living and Breathing Pacific Arts in the Deep South ","_rev":"crvbzpADvUfeJCrJF75LeJ","handle":{"_type":"slug","current":"living-and-breathing-pacific-arts-deep-south"},"image":{"_type":"image","asset":{"_updatedAt":"2024-03-20T23:24:49Z","mimeType":"image/jpeg","_id":"image-fd7c5d722dca73dbf289f460d3d9443eae1b1e43-1000x750-jpg","path":"images/wcs514e0/production/fd7c5d722dca73dbf289f460d3d9443eae1b1e43-1000x750.jpg","size":800796,"assetId":"fd7c5d722dca73dbf289f460d3d9443eae1b1e43","_createdAt":"2024-03-20T23:24:49Z","metadata":{"_type":"sanity.imageMetadata","palette":{"muted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":8.81,"background":"#617187"},"lightVibrant":{"population":0.09,"background":"#d0dbf4","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000"},"darkVibrant":{"foreground":"#fff","title":"#fff","population":0.01,"background":"#142c3d","_type":"sanity.imagePaletteSwatch"},"lightMuted":{"title":"#000","population":8.34,"background":"#c0c9d8","_type":"sanity.imagePaletteSwatch","foreground":"#000"},"vibrant":{"population":0,"background":"#3e8ac0","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"dominant":{"foreground":"#fff","title":"#fff","population":8.81,"background":"#617187","_type":"sanity.imagePaletteSwatch"},"_type":"sanity.imagePalette","darkMuted":{"title":"#fff","population":8.39,"background":"#293a50","_type":"sanity.imagePaletteSwatch","foreground":"#fff"}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,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","dimensions":{"_type":"sanity.imageDimensions","width":1000,"aspectRatio":1.3333333333333333,"height":750},"isOpaque":true,"blurHash":"VME3oBR.ayayt7_N9FRkV@WB%2a~RjkCt7t7t7V@WBj["},"uploadId":"LI1xi3YLdXKWg7Gj2ScKLfhwl1sDKMhQ","sha1hash":"fd7c5d722dca73dbf289f460d3d9443eae1b1e43","originalFilename":"PL_Image 1.jpg","_rev":"x6yrxcn6lYqtSQPZWh3Wnr","_type":"sanity.imageAsset","extension":"jpg","url":"https://cdn.sanity.io/images/wcs514e0/production/fd7c5d722dca73dbf289f460d3d9443eae1b1e43-1000x750.jpg"}},"_updatedAt":"2024-03-21T22:44:52Z","authors":[{"lastName":"Kokaua ","_type":"author","_rev":"r2qM2hnibP2cFOMeOxN9PQ","status":"writer","handle":{"current":"Stacey-Kokaua"},"excerpt":[{"_type":"block","style":"normal","_key":"0001","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Stacey Kokaua is a writer based in Parihaumia in Ōtepoti. ","_key":"0002"}]}],"_id":"author-529","_createdAt":"2022-07-07T00:15:19Z","image":{"alt":null,"_key":"2b0ea9b8e3bd","asset":{"_ref":"image-3b1d15a289e736fed7294033242ee333d3de593b-1458x1458-jpg","_type":"reference","_weak":true},"railsData":{"metadata":{"mime_type":"image/jpeg","width":1458,"height":1458,"filename":null,"size":441101},"id":"image/7883/attachment/dc8b27f7e300bdbe5488546aa4821bb5","storage":"store"},"_type":"image"},"description":[{"markDefs":[],"children":[{"_key":"3ddef82a556b0","_type":"span","marks":[],"text":"Stacey Kokaua (Ngāti Arerā ō Rarotonga, Ngati Pāmati and Pākehā) is a writer who lives in Parihaumia in Ōtepoti. Most of her work concerns the experiences of Cook Islands women in Aotearoa and deconstructing the impacts of colonialism and capitalism in Te Moana Nui a Kiva."}],"_type":"block","style":"normal","_key":"3ddef82a556b"}],"name":"Stacey Kokaua ","role":"Kaituhi Tūtahi | Contributing Writer","firstName":"Stacey","_updatedAt":"2023-04-04T23:24:24Z","seo":{"description":"Stacey Kokaua is a writer based in Parihaumia in Ōtepoti. ","title":"Stacey Kokaua "}}],"publishedAt":"2024-03-21T21:04:58.797Z","_type":"article","isFeatured":true},{"name":"Art is a Salve","categories":[{"_id":"category-1","_type":"category","name":"Art","handle":{"current":"art"}}],"seo":{"image":{"_type":"image","asset":{"_type":"reference","_ref":"image-127c37fd07441ff2702040e0055a2b68261604df-3872x2592-jpg"}},"description":"From the Springbok Tour, to the Vietnam War, to the occupation of Palestine, Matariki Williams delves into how the arts have been, and can be, used to express solidarity and protest.","title":"Art is a Salve"},"image":{"_type":"image","asset":{"extension":"jpg","uploadId":"YJWmb4HO1iTdHokmEUrHoemX7dD9cIPz","_createdAt":"2024-03-09T23:52:45Z","originalFilename":"stolenland.1.JPG","metadata":{"hasAlpha":false,"lqip":"data:image/jpeg;base64,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","dimensions":{"_type":"sanity.imageDimensions","width":3872,"aspectRatio":1.4938271604938271,"height":2592},"isOpaque":true,"blurHash":"V7FrOmIU00S#00?FoLNGNGRj00t7$+i{~V-:xtMyRQkC","_type":"sanity.imageMetadata","palette":{"darkVibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.04,"background":"#423504"},"lightMuted":{"background":"#bcac8c","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":14.14},"vibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.78,"background":"#bf3c24"},"dominant":{"background":"#bcac8c","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":14.14},"_type":"sanity.imagePalette","darkMuted":{"population":0.67,"background":"#4e422f","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"muted":{"title":"#fff","population":0.12,"background":"#a88a58","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"lightVibrant":{"foreground":"#000","title":"#fff","population":0.03,"background":"#e09277","_type":"sanity.imagePaletteSwatch"}}},"sha1hash":"127c37fd07441ff2702040e0055a2b68261604df","size":2590122,"_id":"image-127c37fd07441ff2702040e0055a2b68261604df-3872x2592-jpg","_rev":"wZiL5DySmf4nmAJrxPvwdv","url":"https://cdn.sanity.io/images/wcs514e0/production/127c37fd07441ff2702040e0055a2b68261604df-3872x2592.jpg","path":"images/wcs514e0/production/127c37fd07441ff2702040e0055a2b68261604df-3872x2592.jpg","_type":"sanity.imageAsset","mimeType":"image/jpeg","assetId":"127c37fd07441ff2702040e0055a2b68261604df","_updatedAt":"2024-03-09T23:52:45Z"}},"isFeatured":true,"authors":[{"_createdAt":"2022-07-07T00:22:53Z","image":{"railsData":{"metadata":{"size":89624,"mime_type":"image/jpeg","width":852,"height":1136,"filename":"profile_pic.jpg"},"id":"image/263/attachment/e74563a2f550d10a9fbb23431edb4eb4.jpg","storage":"store"},"_type":"image","alt":null,"_key":"27923476e9c7","asset":{"_weak":true,"_ref":"image-84d597cf3afda2f2a492c4799904801ca3a95846-852x1136-jpg","_type":"reference"}},"_type":"author","lastName":"Williams","_rev":"q2nP9nePC73hnMJzxtaexS","name":"Matariki Williams","handle":{"current":"matariki-williams"},"_id":"author-275","seo":{"description":"","title":"Matariki Williams"},"_updatedAt":"2024-03-15T02:35:41Z","role":"Kaituhi Tūtahi | Contributing Writer","description":[{"markDefs":[],"children":[{"text":"Matariki Williams (Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, Te Atihaunui-a-Pāpārangi) is a doctoral candidate, curator, writer and editor in the arts and cultural sector. Previous roles include as Senior Historian, Mātauranga Māori at the Ministry for Culture and Heritage and Curator Mātauranga Māori at Te Papa Tongarewa, the Museum of New Zealand.","_key":"b546001a54920","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"b546001a5492"}],"excerpt":[{"_type":"block","style":"normal","_key":"65a137c32731","markDefs":[],"children":[{"marks":[],"text":"Matariki Williams (Ngāi Tūhoe, Ngāti Hauiti, Taranaki, Ngāti Whakaue, Te Atihaunui-a-Pāpārangi) is a doctoral candidate, curator, writer and editor in the arts and cultural sector. Previous roles include as Senior Historian, Mātauranga Māori at the Ministry for Culture and Heritage and Curator Mātauranga Māori at Te Papa Tongarewa, the Museum of New Zealand.","_key":"a9f96321ba1e0","_type":"span"}]}],"status":"writer","firstName":"Matariki"}],"excerpt":[{"style":"normal","_key":"f570953e98fc","markDefs":[],"children":[{"_type":"span","marks":[],"text":"From the Springbok Tour, to the Vietnam War, to the occupation of Palestine, Matariki Williams delves into how the arts have been, and can be, used to express solidarity and protest.","_key":"f78e573e7b170"}],"_type":"block"}],"readTime":"10 mins","_createdAt":"2024-03-08T03:45:44Z","tags":["PIJF","FREEPALESTINE"],"_rev":"SnBR8m09YeNPiAz83Q5q1E","_type":"article","publishedAt":"2024-03-12T19:53:31.424Z","_updatedAt":"2024-03-12T19:53:32Z","handle":{"current":"art-is-a-salve","_type":"slug"},"_id":"319836f8-a10e-42e8-a7d2-5f8e413420fb","content":[]},{"content":[],"_createdAt":"2024-02-22T22:28:43Z","image":{"_type":"image","asset":{"_rev":"uuBg41JHDcprD9LuHuoNQP","_type":"sanity.imageAsset","assetId":"019c127c51ff399eb36bbb7a33018cbc00697530","extension":"jpg","mimeType":"image/jpeg","path":"images/wcs514e0/production/019c127c51ff399eb36bbb7a33018cbc00697530-2000x1463.jpg","_id":"image-019c127c51ff399eb36bbb7a33018cbc00697530-2000x1463-jpg","originalFilename":"_DSF4541web (1).jpg","sha1hash":"019c127c51ff399eb36bbb7a33018cbc00697530","url":"https://cdn.sanity.io/images/wcs514e0/production/019c127c51ff399eb36bbb7a33018cbc00697530-2000x1463.jpg","size":3436770,"metadata":{"hasAlpha":false,"lqip":"data:image/jpeg;base64,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","dimensions":{"_type":"sanity.imageDimensions","width":2000,"aspectRatio":1.367053998632946,"height":1463},"isOpaque":true,"blurHash":"VRGbCwkWXSs.RktRsoaeW=bH?woea#WVt7i{X8oznioL","_type":"sanity.imageMetadata","palette":{"lightMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0.12,"background":"#b6b7cc"},"vibrant":{"background":"#c55f27","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":3.18},"dominant":{"population":8.67,"background":"#662b17","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"_type":"sanity.imagePalette","darkMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.21,"background":"#365b4c"},"muted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":4.31,"background":"#967e4f"},"lightVibrant":{"background":"#e9af90","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0},"darkVibrant":{"foreground":"#fff","title":"#fff","population":8.67,"background":"#662b17","_type":"sanity.imagePaletteSwatch"}}},"uploadId":"wEeLJUAxPyukWU35zLtB2DqWwpnw39a2","_createdAt":"2024-02-27T03:44:52Z","_updatedAt":"2024-02-27T03:44:52Z"}},"isFeatured":true,"_id":"5475ac2f-888e-4eb1-ae82-6c4af392b7cb","authors":[{"_rev":"6A1LlYz54jYGCn2JRLaYkQ","image":{"alt":null,"_key":"e480dfbebc4f","asset":{"_weak":true,"_ref":"image-1f508eb1e351522abda5a54939cd515e2c44c955-889x1334-jpg","_type":"reference"},"railsData":{"metadata":{"filename":null,"size":141702,"mime_type":"image/jpeg","width":889,"height":1334},"id":"image/9988/attachment/1094c6ea53c3cab02178595322e3e84b","storage":"store"},"_type":"image"},"seo":{"description":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti, currently working at Blue Oyster Art Project Space.","title":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti, currently working at Blue Oyster Art Project Space.","image":{"_type":"image","asset":{"_ref":"image-a0941a155c0879e3cae937454fa7a3886c14734e-889x1334-jpg","_type":"reference"}}},"lastName":"Morrison-Middleton","_updatedAt":"2023-11-01T21:32:30Z","status":"team","description":[{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti. She currently works at Dunedin Public Art Gallery and holds a Bachelor of Arts from Otago University. More recently she has exhibited at Paemanu: Tauraka Toi, and co-curated He Reka Te Kūmara. \n\nThis role is Public Interest Journalism funded by NZ On Air.","_key":"d3b8c7b887710"}],"_type":"block","style":"normal","_key":"d3b8c7b88771"}],"firstName":"Mya","_id":"author-371","_type":"author","_createdAt":"2022-07-07T00:19:53Z","handle":{"current":"mya-morrison-middleton"},"name":"Mya Morrison-Middleton","excerpt":[{"children":[{"text":"Mya Morrison-Middleton (Ngāi Tahu) is an artist, writer and organiser based in Ōtepoti.","_key":"0002","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"0001","markDefs":[]}],"role":"Kaituhi Kaupapa Māori | Kaupapa Māori Staff Writer"}],"tags":["PIJF"],"_type":"article","name":"He Toka Tū Moana a Robyn Kahukiwa","categories":[{"_id":"category-1","_type":"category","name":"Art","handle":{"current":"art"}}],"_rev":"Z3ITxq30oyYmOM9wRg5Kmu","readTime":"18 mins","publishedAt":"2024-03-06T20:28:26.187Z","_updatedAt":"2024-03-28T23:25:12Z","seo":{"image":{"_type":"image","asset":{"_ref":"image-019c127c51ff399eb36bbb7a33018cbc00697530-2000x1463-jpg","_type":"reference"}},"description":"Mya Morrison-Middleton reflects on the career of renowned Māori artist Robyn Kahukiwa, and her latest exhibition 'Tangata Whenua', which showed at Season Gallery in Auckland and Christchurch's Centre of Contemporary Art.","title":"He Toka Tū Moana a Robyn Kahukiwa"},"excerpt":[{"style":"normal","_key":"7a122ae1d87c","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Mya Morrison-Middleton reflects on the career of renowned Māori artist Robyn Kahukiwa, and her latest exhibition 'Tangata Whenua', which showed at Season Aotearoa in Auckland and Christchurch's Centre of Contemporary Art.","_key":"5794676a6a4d"}],"_type":"block"}],"handle":{"current":"toka-tu-moana","_type":"slug"}},{"categories":[{"_id":"category-14","_type":"category","name":"Society","handle":{"current":"society"}}],"authors":[{"seo":{"image":{"_type":"image","asset":{"_type":"reference","_ref":"image-ab74fbf045dc0a2784980c4a37b649ff6ed3dc4e-1094x1284-png"}},"description":"Ngāti Maniapoto, Falefā | Gabriella Makerita Hinetu Brayne was raised in Massey Waitākere and is currently studying in Cuk-Ṣon (Tucson, AZ) on the lands of the Tohono O'odham and Pasqua Yaqui Nations.","title":"Gabriella Brayne"},"_type":"author","handle":{"current":"gabriella-brayne","_type":"slug"},"name":"Gabriella Brayne","image":{"_type":"image","asset":{"_ref":"image-ab74fbf045dc0a2784980c4a37b649ff6ed3dc4e-1094x1284-png","_type":"reference"}},"_updatedAt":"2024-02-21T20:14:30Z","status":"writer","_rev":"IeDouoBhKPyE6gR8LYsBzg","lastName":"Brayne","_id":"91866482-695e-44e2-8a40-b3716d18a15b","role":"Kaituhi Tūtahi | Contributing Writer","description":[{"_key":"bbbefc50d92c","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Ngāti Maniapoto, Falefā | Gabriella Makerita Hinetu Brayne was raised in Massey Waitākere and is currently studying in Cuk-Ṣon (Tucson, AZ) on the lands of the Tohono O'odham and Pasqua Yaqui Nations.","_key":"6dd814ffc6d9"}],"_type":"block","style":"normal"}],"firstName":"Gabriella","_createdAt":"2024-02-15T22:49:09Z","excerpt":[{"_type":"block","style":"normal","_key":"ca1d4a08691d","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Ngāti Maniapoto, Falefā | Gabriella Makerita Hinetu Brayne was raised in Massey Waitākere and is currently studying in Cuk-Ṣon (Tucson, AZ) on the lands of the Tohono O'odham and Pasqua Yaqui Nations.","_key":"1ad16e6ceb8f0"}]}]},{"handle":{"current":"litia-tuiburelevu"},"_createdAt":"2022-07-07T00:15:56Z","seo":{"description":"Litia (she/her) is a writer, director, and researcher based in Tāmaki Makaurau. She most enjoys hanging out with her friends and going to the movies.","title":"Litia Tuiburelevu","image":{"_type":"image","asset":{"_ref":"image-d103ef5d52943643aa1114eb396e830cee46c272-2397x3602-jpg","_type":"reference"}}},"lastName":"Tuiburelevu","role":"Kaituhi Tūtahi | Contributing Writer","excerpt":[{"markDefs":[],"children":[{"text":"Litia (she/her) is a writer, director, and researcher based in Tāmaki Makaurau. She most enjoys hanging out with her friends and going to the movies.","_key":"a95de78abd20","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"d4a02904fcaf"}],"_rev":"IeDouoBhKPyE6gR8LUQOjP","status":"writer","_updatedAt":"2024-02-20T01:27:42Z","_id":"author-510","description":[{"_key":"c54bb2faaefe","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Litia (she/her) is a writer, director, and researcher based in Tāmaki Makaurau. She most enjoys hanging out with her friends and going to the movies.","_key":"b5f224c62d690"}],"_type":"block","style":"normal"}],"_type":"author","name":"Litia Tuiburelevu","firstName":"Litia","image":{"alt":null,"_key":"1e738fd66c68","asset":{"_ref":"image-d103ef5d52943643aa1114eb396e830cee46c272-2397x3602-jpg","_type":"reference"},"railsData":{"metadata":{"filename":null,"size":733346,"mime_type":"image/png","width":959,"height":958},"id":"image/7524/attachment/fa33d057f0f43571969ca5f4a09ef100","storage":"store"},"_type":"image"}}],"publishedAt":"2024-03-04T20:28:27.718Z","name":"What Shall We Build on the Ashes of a Nightmare?","_updatedAt":"2024-03-04T20:28:27Z","articles":[{"_weak":true,"_ref":"article-1646","_type":"article","_key":"9223f27398c9"},{"_weak":true,"_ref":"article-1483","_type":"article","_key":"144562956bea"},{"_weak":true,"_ref":"article-1792","_type":"article","_key":"bd261adb8b8b"}],"readTime":"21 mins","isFeatured":true,"_type":"article","tags":["PIJF"],"image":{"_type":"image","asset":{"_rev":"IeDouoBhKPyE6gR8LnQAGO","path":"images/wcs514e0/production/ef4164ed78e477efb67c920200c39293d38874f7-1920x1080.png","_createdAt":"2024-02-26T02:44:51Z","uploadId":"DpVybAkFGPbukXPO4PkgyTWKa5QRsh0B","sha1hash":"ef4164ed78e477efb67c920200c39293d38874f7","_id":"image-ef4164ed78e477efb67c920200c39293d38874f7-1920x1080-png","originalFilename":"ON the ashes of a nightmare.png","metadata":{"_type":"sanity.imageMetadata","palette":{"darkMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":6.61,"background":"#444444"},"muted":{"background":"#7c7c7c","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":2.54},"lightVibrant":{"foreground":"#000","title":"#fff","population":0,"background":"#bcbcbc","_type":"sanity.imagePaletteSwatch"},"darkVibrant":{"population":0,"background":"#424242","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"lightMuted":{"title":"#fff","population":6.39,"background":"#bcbcbc","_type":"sanity.imagePaletteSwatch","foreground":"#000"},"vibrant":{"background":"#7f7f7f","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0},"dominant":{"title":"#fff","population":6.61,"background":"#444444","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"_type":"sanity.imagePalette"},"hasAlpha":false,"lqip":"data:image/png;base64,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","dimensions":{"_type":"sanity.imageDimensions","width":1920,"aspectRatio":1.7777777777777777,"height":1080},"isOpaque":true,"blurHash":"M4F$Y7D%00~q%M4nxu4n?bD%00Rj9Ft7%M"},"assetId":"ef4164ed78e477efb67c920200c39293d38874f7","extension":"png","mimeType":"image/png","url":"https://cdn.sanity.io/images/wcs514e0/production/ef4164ed78e477efb67c920200c39293d38874f7-1920x1080.png","size":2533302,"_updatedAt":"2024-02-26T02:44:51Z","_type":"sanity.imageAsset"}},"content":[],"_createdAt":"2024-02-13T03:00:00Z","seo":{"description":"Gabriella Brayne and Litia Tuiburelevu publish this essay, taken from a wider research project on Pacific Peoples and the Criminal Justice system in Aotearoa New Zealand, written with Liz Lotoa, Isabella Ieremia and Hugo Wagner-Hiliau. Their research calls for abolition and an ending to carceral capitalism, envisioning emancipatory past futures for Tangata o le Moana and the globe.","title":"What Shall We Build on the Ashes of a Nightmare?","image":{"_type":"image","asset":{"_ref":"image-ef4164ed78e477efb67c920200c39293d38874f7-1920x1080-png","_type":"reference"}}},"excerpt":[{"_type":"block","style":"normal","_key":"b077e7ec03e1","markDefs":[],"children":[{"text":"Gabriella Brayne and Litia Tuiburelevu publish this essay, taken from a wider research project on Pacific Peoples and the Criminal Justice system in Aotearoa New Zealand, written with Liz Lotoa, Isabella Ieremia and Hugo Wagner-Hiliau. Their research calls for abolition and an ending to carceral capitalism, envisioning emancipatory past futures for Tangata o le Moana and the globe.","_key":"6bc9ffa5da100","_type":"span","marks":[]}]}],"_rev":"J8cyOu2lh0Dp0PMeRrg8gB","handle":{"current":"what-shall-we-build-on-the-ashes-of-a-nightmare","_type":"slug"},"_id":"46d0a828-b0ee-43e8-a4fd-fee55ae45ab4"},{"articles":[{"_weak":true,"_ref":"article-1802","_type":"article","_key":"8bcc7c372d4b"},{"_weak":true,"_ref":"article-2045","_type":"article","_key":"70a4156a6ad0"},{"_ref":"4e2f11cb-5536-44a3-9363-0b3117741314","_type":"article","_key":"eab754b1e776","_weak":true}],"authors":[{"handle":{"current":"tom-denize","_type":"slug"},"_rev":"TsX43m9Nsf1iOJfhLrXvZy","_id":"330e6d74-35a6-4a93-bb55-ed6f39b4012f","_createdAt":"2024-02-27T07:48:50Z","excerpt":[{"markDefs":[],"children":[{"_key":"0d864abe45790","_type":"span","marks":[],"text":"Tom Denize is an artist and emerging curator based in Naarm/Melbourne, currently undertaking a Masters of Fine Arts at Melbourne University. Originally hailing from Te Whanganui-a-Tara, Aotearoa, Tom’s practice is primarily concerned with Queer theologies and temporalities, and how these things can reframe understandings of place, memory and desire."}],"_type":"block","style":"normal","_key":"46d894d7cc97"}],"seo":{"image":{"_type":"image","asset":{"_ref":"image-20b27ca21cc599c36a8fc665b144247da749ff67-3024x4032-jpg","_type":"reference"}},"description":"Tom Denize is an artist and emerging curator based in Naarm/Melbourne, currently undertaking a Masters of Fine Arts at Melbourne University. Originally hailing from Te Whanganui-a-Tara, Aotearoa, Tom’s practice is primarily concerned with Queer theologies and temporalities, and how these things can reframe understandings of place, memory and desire.","title":"Tom Denize"},"_type":"author","description":[{"children":[{"_type":"span","marks":[],"text":"Tom Denize is an artist and emerging curator based in Naarm/Melbourne, currently undertaking a Masters of Fine Arts at Melbourne University. Originally hailing from Te Whanganui-a-Tara, Aotearoa, Tom’s practice is primarily concerned with Queer theologies and temporalities, and how these things can reframe understandings of place, memory and desire.","_key":"664333defac3"}],"_type":"block","style":"normal","_key":"d05097fca959","markDefs":[]}],"firstName":"Tom ","name":"Tom Denize","lastName":"Denize","_updatedAt":"2024-02-27T07:51:54Z","image":{"_type":"image","asset":{"_ref":"image-20b27ca21cc599c36a8fc665b144247da749ff67-3024x4032-jpg","_type":"reference"}},"status":"writer","role":"Kaituhi Tūtahi | Contributing Writer"}],"content":[],"_createdAt":"2024-02-27T08:12:57Z","isFeatured":true,"excerpt":[{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"Is cruising a form of time travel, a doorway into a pocket of Queer time, or something else entirely? Tom Denize unpacks the heat and magnetism of cruising spots.","_key":"419c6f8199360"}],"_type":"block","style":"normal","_key":"50735cb65f9c"}],"image":{"_type":"image","asset":{"_rev":"TsX43m9Nsf1iOJfhM5jDTD","sha1hash":"6025758bd9cca654d10e3967bab0e3653d234f83","_createdAt":"2024-02-29T01:32:44Z","_type":"sanity.imageAsset","size":933347,"url":"https://cdn.sanity.io/images/wcs514e0/production/6025758bd9cca654d10e3967bab0e3653d234f83-1920x1080.jpg","path":"images/wcs514e0/production/6025758bd9cca654d10e3967bab0e3653d234f83-1920x1080.jpg","_id":"image-6025758bd9cca654d10e3967bab0e3653d234f83-1920x1080-jpg","_updatedAt":"2024-02-29T01:32:44Z","extension":"jpg","metadata":{"dimensions":{"width":1920,"aspectRatio":1.7777777777777777,"height":1080,"_type":"sanity.imageDimensions"},"isOpaque":true,"blurHash":"M6Awem00.8W9D%.mIAxaW-RP?a%gD%RiRk","_type":"sanity.imageMetadata","palette":{"darkMuted":{"foreground":"#fff","title":"#fff","population":0,"background":"#4c6434","_type":"sanity.imagePaletteSwatch"},"muted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":8.33,"background":"#798682"},"lightVibrant":{"background":"#b6c2b8","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":0},"darkVibrant":{"background":"#3c483e","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0},"lightMuted":{"population":2.18,"background":"#9aaa9c","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff"},"vibrant":{"background":"#748a77","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0},"dominant":{"population":8.33,"background":"#798682","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"},"_type":"sanity.imagePalette"},"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAALABQDASIAAhEBAxEB/8QAFwAAAwEAAAAAAAAAAAAAAAAAAAUGB//EACEQAAICAQMFAQAAAAAAAAAAAAECAwQABREhBhITIjGR/8QAFQEBAQAAAAAAAAAAAAAAAAAAAgH/xAAZEQACAwEAAAAAAAAAAAAAAAAAAgEREiH/2gAMAwEAAhEDEQA/AMih1SzSfuqSujP6krlf0ddtrdC2ZC0Ug5LNvtibQIY3plmRS2/05Q6fDG9xlZAQFwM1BhNcLNZoCOGBwxBVhj8I4P6cMuw4k//Z"},"assetId":"6025758bd9cca654d10e3967bab0e3653d234f83","originalFilename":"tomheader5.jpg","uploadId":"nlBXkr5ZQPhZpK3GBhXTF9ZsWG0p3Wt9","mimeType":"image/jpeg"}},"tags":["PIJF","CARVINGSPACE"],"name":"Waterlilies Sucking Mud","_type":"article","publishedAt":"2024-02-29T20:15:09.817Z","_rev":"9jPBR7IOr4k52e8SBIZwGr","readTime":"10m","_id":"6a9fdf2f-4f3c-4feb-a8db-6a8d8d57befe","seo":{"description":"Is cruising a form of time travel, a doorway into a pocket of Queer time, or something else entirely? Tom Denize unpacks the heat and magnetism of cruising spots.","title":"Waterlilies Sucking Mud ","image":{"_type":"image","asset":{"_ref":"image-6025758bd9cca654d10e3967bab0e3653d234f83-1920x1080-jpg","_type":"reference"}}},"handle":{"current":"waterlilies-sucking-mud","_type":"slug"},"categories":[{"_id":"category-14","_type":"category","name":"Society","handle":{"current":"society"}}],"_updatedAt":"2024-03-01T03:17:28Z"},{"readTime":"10m","_id":"87628dfe-09eb-41f9-8d06-566feb258f3e","_rev":"o2JUI9hPBmAUokUmQ5WJqx","articles":[{"_weak":true,"_ref":"cd986351-d1d6-48b6-88fd-4fa2de7b3e2f","_type":"article","_key":"ac5b886ab3d9"},{"_weak":true,"_ref":"c89c8706-472a-4ebf-bb6c-5ad8939e9124","_type":"article","_key":"d08752d45464"},{"_type":"article","_key":"00187e76fb59","_weak":true,"_ref":"7e177c53-d8cc-41ae-969b-53e9bfe09778"}],"name":"Wharenui Harikoa is what dreams are made of","authors":[{"_createdAt":"2022-07-07T00:11:27Z","status":"writer","_updatedAt":"2023-04-05T02:01:27Z","_type":"author","lastName":"Pomana","image":{"asset":{"_type":"reference","_weak":true,"_ref":"image-1443cbe521b25a3fa1f810f3a8be886a7d5072da-1567x1459-jpg"},"railsData":{"metadata":{"height":1459,"filename":null,"size":362627,"mime_type":"image/jpeg","width":1567},"id":"image/9980/attachment/f7491573d665fd5a97a5a67ae4d6fe88","storage":"store"},"_type":"image","alt":null,"_key":"4e78384b8bbc"},"firstName":"Briar","_id":"author-671","seo":{"title":"Briar Pomana","description":"Briar Pomana is a mokopuna of Rakaipaaka and Kahungunu. Raised in Hawkes Bay, she is an aspiring filmmaker and writer with work that focuses specifically on a her intimate ties with whānau and whakapapa. "},"description":[{"_type":"block","style":"normal","_key":"f7d3cf5c321b","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Briar Pomana is a mokopuna of Rakaipaaka and Kahungunu. Raised in Hawkes Bay, she is an aspiring filmmaker and writer with work that focuses specifically on a her intimate ties with whānau and whakapapa. She is a graduate of the faculty of Te Ara Poutama at AUT where she studied Māori Development, majoring in Māori Media and Cinematic Arts. Her ultimate dream is to make stuff her family and friends enjoy and live back on her whenua.","_key":"f7d3cf5c321b0"}]}],"handle":{"current":"briar-pomana"},"role":"Kaituhi Tūtahi | Contributing Writer","_rev":"klew05S92G2K1WM03eHjnc","name":"Briar Pomana","excerpt":[{"_type":"block","style":"normal","_key":"0001","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Briar Pomana is a mokopuna of Rakaipaaka and Kahungunu. Raised in Hawkes Bay, she is an aspiring filmmaker and writer with work that focuses specifically on a her intimate ties with whānau and whakapapa. ","_key":"0002"}]}]}],"publishedAt":"2024-02-28T00:32:46.293Z","_type":"article","content":[],"handle":{"current":"wharenui-harikoa","_type":"slug"},"image":{"_type":"image","asset":{"extension":"jpg","sha1hash":"daa88e59df3753f6e15e6b57d8349818b0d38480","size":820018,"assetId":"daa88e59df3753f6e15e6b57d8349818b0d38480","_id":"image-daa88e59df3753f6e15e6b57d8349818b0d38480-2558x1440-jpg","uploadId":"RkT4f5YNmYsioFMYQDXiLMlKIrCRwTWb","path":"images/wcs514e0/production/daa88e59df3753f6e15e6b57d8349818b0d38480-2558x1440.jpg","metadata":{"palette":{"lightMuted":{"population":0.1,"background":"#e7cfc9","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000"},"vibrant":{"title":"#fff","population":1.36,"background":"#f02c4c","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"dominant":{"foreground":"#fff","title":"#fff","population":1.36,"background":"#f02c4c","_type":"sanity.imagePaletteSwatch"},"_type":"sanity.imagePalette","darkMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":1.31,"background":"#5c3428"},"muted":{"foreground":"#fff","title":"#fff","population":0.23,"background":"#7aa663","_type":"sanity.imagePaletteSwatch"},"lightVibrant":{"title":"#fff","population":1.31,"background":"#e0b87b","_type":"sanity.imagePaletteSwatch","foreground":"#000"},"darkVibrant":{"population":0.76,"background":"#861407","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff"}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAALABQDASIAAhEBAxEB/8QAFwAAAwEAAAAAAAAAAAAAAAAAAAYHAv/EACMQAAIBAwQBBQAAAAAAAAAAAAECAwAEEgUGESExEyJBUXH/xAAWAQEBAQAAAAAAAAAAAAAAAAADAgX/xAAcEQABBAMBAAAAAAAAAAAAAAABAAIDEgURMTL/2gAMAwEAAhEDEQA/AI1t7VILGe19ZlAcgHKmbeep2KJAtvPEJD7gVPQ/KjrSO2JZiSD1W7qR3AyYng/NEIG2serVGVlYNN4Eyajdie8kdpMyT5580Up5H7NFJVSMkdeV/9k=","dimensions":{"height":1440,"_type":"sanity.imageDimensions","width":2558,"aspectRatio":1.7763888888888888},"isOpaque":true,"blurHash":"MUDH8MoJ9[WCt7}Ya{E#WXj?nOayXSjcaK","_type":"sanity.imageMetadata"},"_type":"sanity.imageAsset","mimeType":"image/jpeg","url":"https://cdn.sanity.io/images/wcs514e0/production/daa88e59df3753f6e15e6b57d8349818b0d38480-2558x1440.jpg","_createdAt":"2024-02-27T03:34:14Z","_updatedAt":"2024-02-27T03:34:14Z","_rev":"o2JUI9hPBmAUokUmPvpVGJ","originalFilename":"Lissy Robinson-Cole Rudi Robinson-Cole _ Seb Charles.jpg"}},"_updatedAt":"2024-02-28T01:22:29Z","categories":[{"_id":"category-1","_type":"category","name":"Art","handle":{"current":"art"}}],"seo":{"image":{"asset":{"_ref":"image-e6307b54067cd540ec4de3995e565386a6d77799-2558x1440-png","_type":"reference"},"_type":"image"},"description":"Briar Pomana (Ngāti Kahungunu, Rongomaiwahine, Ngāti Rakaipaaka) falls down the enticing crochet rabbit hole of artists Lissy Robinson Cole and Rudi Robinson, reflecting on the role ringatoi Māori play in our current realities and beyond.","title":"Wharenui Harikoa is what dreams are made of"},"excerpt":[{"children":[{"marks":[],"text":"Briar Pomana (Ngāti Kahungunu, Rongomaiwahine, Ngāti Rakaipaaka) falls down the enticing crochet rabbit hole of artists Lissy Robinson Cole and Rudi Robinson, reflecting on the role ringatoi Māori play in our current realities and beyond.","_key":"b7a3c089f4650","_type":"span"}],"_type":"block","style":"normal","_key":"293f0b496a52","markDefs":[]}],"_createdAt":"2024-02-27T02:48:25Z","tags":["PIJF","CARVINGSPACE"],"isFeatured":true},{"handle":{"current":"flesh-as-i-yau","_type":"slug"},"categories":[{"_id":"category-16","_type":"category","name":"Performance","handle":{"current":"performance"}}],"seo":{"image":{"_type":"image","asset":{"_type":"reference","_ref":"image-b8c74930fb9922bd4cd1a460a92b44ff38ac27b9-4032x3024-jpg"}},"description":"Is the demand for intimacy co-ordinators, choreographers and directors just colonialism rebranding itself to undermine our sense of collective morale and personhood? In asking for collective responsibility in storytelling, Emele Ugavule pulls forward Indigenous conceptualisations of body sovereignty from an iTaukei worldview. ","title":"Flesh as i Yau"},"readTime":"14m","articles":[{"_weak":true,"_ref":"article-1755","_type":"article","_key":"cab1fd4bf769"},{"_weak":true,"_ref":"article-2016","_type":"article","_key":"cf540fc5f644"},{"_key":"42e90320e9ed","_weak":true,"_ref":"5aaf9605-1b60-48a9-947f-7e340d3bb409","_type":"article"}],"_id":"fd265c64-f310-40b0-898d-5a749963025a","authors":[{"lastName":"Ugavule","_createdAt":"2024-02-24T23:18:39Z","role":"Kaituhi Tūtahi | Contributing Writer","_rev":"KRtfhywPjSIblzd6yOW3Xk","excerpt":[{"children":[{"_type":"span","marks":[],"text":"Emele Ugavule is a Tokelauan Fijian storyteller. Her research and practice area of interest is Oceanic Indigenous-led storytelling, working across live performance, screen & digital media as a writer, director, creative producer, performer, educator and mentor. Emele is a member of the collective, ","_key":"ab6d1594975e0"},{"_type":"span","marks":["e35df9f7046c"],"text":"Studio Kiin","_key":"ab6d1594975e1"},{"_type":"span","marks":[],"text":" and the Creative Director of ","_key":"ab6d1594975e2"},{"text":"Talanoa.","_key":"ab6d1594975e3","_type":"span","marks":["f48eee77ef64"]}],"_type":"block","style":"normal","_key":"1df4379fb81a","markDefs":[{"href":"http://www.studiokiin.co/","_key":"e35df9f7046c","_type":"link"},{"_type":"link","href":"https://talanoa.com.au/","_key":"f48eee77ef64"}]}],"_id":"c49aab58-876f-4ce4-9244-e2404fc40a6f","image":{"_type":"image","asset":{"_ref":"image-05a8226fb2a7e90082b333d42937ac30d5aff646-1080x1616-jpg","_type":"reference"}},"name":"Emele Ugavule","seo":{"image":{"_type":"image","asset":{"_type":"reference","_ref":"image-05a8226fb2a7e90082b333d42937ac30d5aff646-1080x1616-jpg"}},"description":"Emele Ugavule is a Tokelauan Fijian storyteller. Her research and practice area of interest is Oceanic Indigenous-led storytelling, working across live performance, screen & digital media as a writer, director, creative producer, performer, educator and mentor. Emele is a member of the collective, Studio Kiin and the Creative Director of Talanoa.","title":"Emele Ugavule"},"description":[{"style":"normal","_key":"be7b63a20648","markDefs":[{"_type":"link","href":"http://www.studiokiin.co/","_key":"fded604f69a3"},{"_type":"link","href":"https://talanoa.com.au/","_key":"d1533f00e7b6"}],"children":[{"text":"Emele Ugavule is a Tokelauan Fijian storyteller. Her research and practice area of interest is Oceanic Indigenous-led storytelling, working across live performance, screen & digital media as a writer, director, creative producer, performer, educator and mentor. Emele is a member of the collective, ","_key":"3085718bc6710","_type":"span","marks":[]},{"_type":"span","marks":["fded604f69a3"],"text":"Studio Kiin","_key":"3085718bc6711"},{"text":" and the Creative Director of ","_key":"3085718bc6712","_type":"span","marks":[]},{"marks":["d1533f00e7b6"],"text":"Talanoa.","_key":"3085718bc6713","_type":"span"}],"_type":"block"}],"firstName":"Emele","handle":{"current":"emele-ugavule","_type":"slug"},"status":"writer","_type":"author","_updatedAt":"2024-02-24T23:20:19Z"}],"_rev":"FrLBNsFHd0X3uejECPdX8g","isFeatured":true,"content":[],"image":{"_type":"image","asset":{"path":"images/wcs514e0/production/b8c74930fb9922bd4cd1a460a92b44ff38ac27b9-4032x3024.jpg","_createdAt":"2024-02-24T23:47:17Z","originalFilename":"FullSizeRender_VSCO.jpeg","metadata":{"dimensions":{"height":3024,"_type":"sanity.imageDimensions","width":4032,"aspectRatio":1.3333333333333333},"isOpaque":true,"blurHash":"VcGS79yEWBV?V?~px^t6M{Rjx]o#jbj=RjRlogkCj?a#","_type":"sanity.imageMetadata","palette":{"lightMuted":{"background":"#d8d0b0","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000","population":3.82},"vibrant":{"background":"#c1674b","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.04},"dominant":{"background":"#61482a","_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":8.3},"_type":"sanity.imagePalette","darkMuted":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":8.3,"background":"#61482a"},"muted":{"foreground":"#fff","title":"#fff","population":6.94,"background":"#928653","_type":"sanity.imagePaletteSwatch"},"lightVibrant":{"background":"#d0b786","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#fff","population":4.67},"darkVibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0.06,"background":"#70681b"}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,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"},"_type":"sanity.imageAsset","size":1153946,"_updatedAt":"2024-02-24T23:47:17Z","extension":"jpg","_rev":"KRtfhywPjSIblzd6yOf1Vk","mimeType":"image/jpeg","url":"https://cdn.sanity.io/images/wcs514e0/production/b8c74930fb9922bd4cd1a460a92b44ff38ac27b9-4032x3024.jpg","assetId":"b8c74930fb9922bd4cd1a460a92b44ff38ac27b9","_id":"image-b8c74930fb9922bd4cd1a460a92b44ff38ac27b9-4032x3024-jpg","uploadId":"Qah33xZ9cWVodadIkYqpCYoBLeUWfjY4","sha1hash":"b8c74930fb9922bd4cd1a460a92b44ff38ac27b9"}},"_type":"article","excerpt":[{"children":[{"marks":[],"text":"Is the demand for intimacy co-ordinators, choreographers and directors just colonialism rebranding itself to undermine our sense of collective morale and personhood? In asking for collective responsibility in storytelling, Emele Ugavule pulls forward Indigenous conceptualisations of body sovereignty from an iTaukei worldview. ","_key":"5d7866e8e7ac0","_type":"span"}],"_type":"block","style":"normal","_key":"4de3b7b44740","markDefs":[]}],"publishedAt":"2024-02-27T19:54:44.404Z","_updatedAt":"2024-02-29T22:01:41Z","tags":["PIJF","CARVINGSPACE"],"_createdAt":"2024-02-24T23:23:37Z","name":"Flesh as i Yau"}],"publishedAt":"2021-05-26T13:00:00.000Z","_id":"article-1788","readTime":"9 mins","_createdAt":"2022-09-08T01:53:49Z","viewCount":1094,"_updatedAt":"2023-04-22T11:41:19Z","tags":[],"excerpt":[{"style":"normal","_key":"0001","markDefs":[],"children":[{"_type":"span","marks":[],"text":"As one of the first national celebrations of Asian writers, Naomii Seah reflects on the anthology filled with the taste of home, memory and a renewed refusal to remain silent.  ","_key":"0002"}],"_type":"block"}],"seo":{"title":"The First Anthology of Asian Voices from Aotearoa: A Homecoming","image":{"_type":"image","asset":{"_ref":"image-e2716a514f7cc1e2064ae11dc0ffb3fd0d98c324-800x460-jpg","_type":"reference"}},"description":"As one of the first national celebrations of Asian writers, Naomii Seah reflects on the anthology filled with the taste of home, memory and a renewed refusal to remain silent.  "},"image":{"asset":{"_type":"sanity.imageAsset","path":"images/wcs514e0/production/18e85664c01014494d57110b70fbf294ceeb0506-800x460.jpg","originalFilename":"rails-8630.jpg","metadata":{"palette":{"darkVibrant":{"_type":"sanity.imagePaletteSwatch","foreground":"#fff","title":"#fff","population":0,"background":"#6a1a1f"},"lightMuted":{"foreground":"#000","title":"#000","population":0.42,"background":"#d7c5b1","_type":"sanity.imagePaletteSwatch"},"vibrant":{"title":"#fff","population":0.05,"background":"#d75c64","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"dominant":{"_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000","population":0.42,"background":"#d7c5b1"},"_type":"sanity.imagePalette","darkMuted":{"title":"#fff","population":0.32,"background":"#463f37","_type":"sanity.imagePaletteSwatch","foreground":"#fff"},"muted":{"foreground":"#fff","title":"#fff","population":0.07,"background":"#946d5a","_type":"sanity.imagePaletteSwatch"},"lightVibrant":{"population":0.02,"background":"#fce2ce","_type":"sanity.imagePaletteSwatch","foreground":"#000","title":"#000"}},"hasAlpha":false,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAMABQDASIAAhEBAxEB/8QAGgAAAQUBAAAAAAAAAAAAAAAAAAIDBAUGB//EACAQAAICAgICAwAAAAAAAAAAAAECAAMEIQURMVESE0P/xAAVAQEBAAAAAAAAAAAAAAAAAAADBP/EABsRAAICAwEAAAAAAAAAAAAAAAACAxIBE1Eh/9oADAMBAAIRAxEAPwDr2Hw+NxnxFGFVYR+ljbMmHOtJCtRV14PbSpwOTyb0RrWVifYmkREZFJRdj1IUlw5W8OvwSuFikd/Sm9+IR6ES7dDovD//2Q==","dimensions":{"_type":"sanity.imageDimensions","width":800,"aspectRatio":1.7391304347826086,"height":460},"isOpaque":true,"blurHash":"M4PZGa009FRQtR3G670gM_NF000000s:M}","_type":"sanity.imageMetadata"},"mimeType":"image/jpeg","sha1hash":"18e85664c01014494d57110b70fbf294ceeb0506","url":"https://cdn.sanity.io/images/wcs514e0/production/18e85664c01014494d57110b70fbf294ceeb0506-800x460.jpg","_createdAt":"2022-09-07T04:18:10Z","_id":"image-18e85664c01014494d57110b70fbf294ceeb0506-800x460-jpg","_rev":"2Ey0YlkKa2jnfgs3gZcD1f","assetId":"18e85664c01014494d57110b70fbf294ceeb0506","uploadId":"cHmgE5skUZ2ECB8g9Jrs5LtKDNvpZ07T","size":111864,"_updatedAt":"2022-09-07T04:18:10Z","extension":"jpg"},"railsData":{"metadata":{"width":800,"height":460,"filename":null,"size":428204,"mime_type":"image/png"},"id":"image/8630/attachment/ac16a4814d75a08c45a0e89aa8095d93","storage":"store"},"_type":"image","alt":null,"_key":"d899abc12c3c"},"isFeatured":true},"preview":false,"layout":{"navigation":[{"menu1":[{"_type":"link","_key":"224adaba2b94","title":"Our Team","type":"internal","internalLink":{"_ref":"1a4cfede-5b59-4668-ba18-ed7db2cb63f9","_type":"reference","_weak":true}},{"_type":"link","_key":"cf4e42846816","title":"Our Writers","type":"external","externalLink":{"href":"/writers"}},{"title":"Our Board","type":"internal","internalLink":{"_weak":true,"_ref":"5900f6e6-d188-4b23-910a-12a7f0f89d73","_type":"reference"},"_type":"link","_key":"7a1bdf39f992"},{"internalLink":{"_weak":true,"_ref":"page-15","_type":"reference"},"_type":"link","_key":"efbf45acc310","title":"Our Partners","type":"internal"}],"_createdAt":"2022-10-04T00:59:22Z","_rev":"M4VuKePQjgYDLPYGLdhWxX","_id":"footer-desktop","sponsors":[{"_key":"b2d9e683a2f2","type":"image","image":{"_type":"image","asset":{"_ref":"image-b4218620e5cc160efdd53281ff479fe739bc49c8-198x76-png","_type":"reference"}},"_type":"media"},{"image":{"_type":"image","asset":{"_ref":"image-f8d41c3783e313082d2e80eb0303f3b837ef9da5-189x107-png","_type":"reference"}},"_type":"media","_key":"94f04e7533ae","type":"image"},{"image":{"_type":"image","asset":{"_ref":"image-2cd6793b73ac4f2612aa814375bc10b0d9bba08d-2003x908-png","_type":"reference"}},"_type":"media","_key":"9236abe9f181","type":"image"},{"image":{"_type":"image","asset":{"_type":"reference","_ref":"image-912bd8fadb4951b5474caaa52421a02902dd023a-1612x518-jpg"}},"_type":"media","_key":"0589d2a2554d","type":"image"}],"menu3":[{"type":"external","externalLink":{"rel":"noopener","href":"https://twitter.com/pantographpunch","target":"_blank"},"_type":"link","_key":"b699754ce20b","title":"Twitter"},{"type":"external","externalLink":{"rel":"noopener","href":"https://instagram.com/pantographpunch","target":"_blank"},"_type":"link","_key":"fdabcdf56d19","title":"Instagram"},{"externalLink":{"rel":"noopener","href":"https://www.facebook.com/pantograph","target":"_blank"},"_type":"link","_key":"5ef4b3c4ebc8","title":"Facebook","type":"external"}],"menu2":[{"title":"Our Funders","type":"internal","internalLink":{"_weak":true,"_ref":"page-16","_type":"reference"},"_type":"link","_key":"0b945bdf06ae"},{"title":"Community Guidelines","type":"internal","internalLink":{"_weak":true,"_ref":"page-18","_type":"reference"},"_type":"link","_key":"d79511eacef1"},{"internalLink":{"_weak":true,"_ref":"page-14","_type":"reference"},"_type":"link","_key":"97f0eb3b981b","title":"Business Model","type":"internal"},{"internalLink":{"_weak":true,"_ref":"page-11","_type":"reference"},"_type":"link","_key":"a133ff1cb1cb","title":"Terms","type":"internal"},{"title":"Submit","type":"internal","internalLink":{"_weak":true,"_ref":"page-12","_type":"reference"},"_type":"link","_key":"2e5ab7c0d9c3"}],"_updatedAt":"2024-08-08T22:39:21Z","_type":"footerDesktop"},{"_updatedAt":"2024-08-08T22:39:00Z","mainMenu":[{"internalLink":{"_weak":true,"_ref":"page-12","_type":"reference"},"_type":"link","_key":"822f91e35dec","title":"Submit","type":"internal"}],"_createdAt":"2022-09-30T03:44:47Z","_rev":"F4J5LYXGPzFU4lLBLtQvhT","_type":"headerDesktop","banner":{"theme":"amethyst"},"_id":"header-desktop"},{"_type":"overlayMobile","menu3":[{"internalLink":{"_weak":true,"_ref":"1a4cfede-5b59-4668-ba18-ed7db2cb63f9","_type":"reference"},"_type":"link","_key":"d551fd21a320","title":"Our Team","type":"internal"},{"_type":"link","_key":"7875988d4e15","title":"Our Writers","type":"external","externalLink":{"href":"/writers","target":""}},{"_type":"link","_key":"ff2cc1407cb1","title":"Our Board","type":"internal","internalLink":{"_weak":true,"_ref":"5900f6e6-d188-4b23-910a-12a7f0f89d73","_type":"reference"}}],"_id":"overlay-mobile","_rev":"7E5SMh3g8sADeCYHbSfOt3","_updatedAt":"2024-03-26T07:16:33Z","_createdAt":"2022-10-10T22:06:22Z","content":[{"_key":"1ef06dc834fe","markDefs":[],"children":[{"_type":"span","marks":[],"text":"The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.","_key":"e141cf4ab9a20"}],"_type":"block","style":"normal"}],"menu2":[{"internalLink":{"_weak":true,"_ref":"page-13","_type":"reference"},"_type":"link","_key":"4d6163a5eb3d","title":"Our Story","type":"internal"},{"type":"internal","internalLink":{"_weak":true,"_ref":"page-12","_type":"reference"},"_type":"link","_key":"3bf281c10741","title":"Submit"}],"menu1":[{"type":"internal","internalLink":{"_weak":true,"_ref":"category-1","_type":"reference"},"_type":"link","_key":"7a11939fb111","title":"Art"},{"_key":"115f9f75172b","title":"Literature","type":"internal","internalLink":{"_weak":true,"_ref":"category-8","_type":"reference"},"_type":"link"},{"title":"Performance","type":"internal","internalLink":{"_weak":true,"_ref":"category-16","_type":"reference"},"_type":"link","_key":"e1b2aedc57c1"},{"_type":"link","_key":"fb9ab6bd8b63","title":"Screen","type":"internal","internalLink":{"_weak":true,"_ref":"category-6","_type":"reference"}},{"_type":"link","_key":"8eff442ea899","title":"Society","type":"internal","internalLink":{"_weak":true,"_ref":"category-14","_type":"reference"}},{"_type":"link","_key":"1ea0a077a9bf","title":"Music","type":"internal","internalLink":{"_ref":"category-9","_type":"reference","_weak":true}},{"title":"News","type":"internal","internalLink":{"_ref":"category-15","_type":"reference","_weak":true},"_type":"link","_key":"4ddb9d8c32ef"},{"type":"internal","internalLink":{"_weak":true,"_ref":"category-23","_type":"reference"},"_type":"link","_key":"bf8cbbdd9925","title":"Loose Canons"},{"_type":"link","_key":"386d0e03cc05","title":"Pacific Arts Legacy Project","type":"internal","internalLink":{"_weak":true,"_ref":"category-31","_type":"reference"}}],"menu5":[{"externalLink":{"rel":"noopener","href":"https://twitter.com/pantographpunch","target":"_blank"},"_type":"link","_key":"a6949bf98fb7","title":"Twitter","type":"external"},{"externalLink":{"rel":"noopener","href":"https://instagram.com/pantographpunch","target":"_blank"},"_type":"link","_key":"3dc5ed0f6c91","title":"Instagram","type":"external"},{"externalLink":{"rel":"noopener","href":"https://www.facebook.com/pantograph","target":"_blank"},"_type":"link","_key":"b19aa05afc5e","title":"Facebook","type":"external"}],"menu4":[{"type":"internal","internalLink":{"_type":"reference","_weak":true,"_ref":"page-15"},"_type":"link","_key":"1255644bd399","title":"Our Partners"},{"title":"Our Funders","type":"internal","internalLink":{"_type":"reference","_weak":true,"_ref":"page-16"},"_type":"link","_key":"d73f801fe7cb"},{"_key":"6e08bf27908d","title":"Business Model","type":"internal","internalLink":{"_weak":true,"_ref":"page-14","_type":"reference"},"_type":"link"},{"type":"internal","internalLink":{"_weak":true,"_ref":"page-11","_type":"reference"},"_type":"link","_key":"573cbd0cafc0","title":"Terms"}]},{"content":[{"markDefs":[],"children":[{"_type":"span","marks":[],"text":"The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa.","_key":"3c3ea40e6f8e0"}],"_type":"block","style":"normal","_key":"8f5560ac7396"}],"mainMenu":[{"type":"internal","internalLink":{"_weak":true,"_ref":"category-1","_type":"reference"},"_type":"link","_key":"cff6dbb2bc26","title":"Art"},{"_type":"link","_key":"49572494fc04","title":"Literature","type":"internal","internalLink":{"_weak":true,"_ref":"category-8","_type":"reference"}},{"_key":"5a92fc1b3dab","title":"Performance","type":"internal","internalLink":{"_weak":true,"_ref":"category-16","_type":"reference"},"_type":"link"},{"_type":"link","_key":"46ce40c5dc40","title":"Screen","type":"internal","internalLink":{"_weak":true,"_ref":"category-6","_type":"reference"}},{"_type":"link","_key":"71ebd197ef72","title":"Society","type":"internal","internalLink":{"_type":"reference","_weak":true,"_ref":"category-14"}},{"_type":"link","_key":"2fb87b231aee","title":"Music","type":"internal","internalLink":{"_ref":"category-9","_type":"reference","_weak":true}},{"type":"internal","internalLink":{"_weak":true,"_ref":"category-15","_type":"reference"},"_type":"link","_key":"f9a824f5898e","title":"News"},{"_type":"link","_key":"f8334f3570c0","title":"Loose Canons","type":"internal","internalLink":{"_weak":true,"_ref":"category-23","_type":"reference"}},{"title":"Pacific Arts Legacy Project","type":"internal","internalLink":{"_weak":true,"_ref":"category-31","_type":"reference"},"_type":"link","_key":"315a4eeae221"},{"title":"Submit","type":"internal","internalLink":{"_weak":true,"_ref":"page-12","_type":"reference"},"_type":"link","_key":"215cb7bc2f5a"}],"heading":"Read by Category","_createdAt":"2022-10-03T22:50:09Z","_rev":"S0lUEMqtVWoFwr23PcWxbS","_type":"overlaySidebar","_id":"overlay-sidebar","_updatedAt":"2023-05-16T02:12:25Z"}],"settings":[{"_rev":"AZg1e3XcMWZZajAzjLVWCC","_type":"settingsMembership","_id":"settings-membership","_updatedAt":"2023-04-12T05:22:02Z","footerSection":{"terms":[{"children":[{"_type":"span","marks":[],"text":"The Pantograph Punch is a registered charity.\nAll donations are tax-deductible.","_key":"45854eaf4dd90"}],"_type":"block","style":"normal","_key":"db20746257c7","markDefs":[]}],"link":{"action":"MEMBERSHIP","title":"Learn More","type":"action"},"title":"Become a Pal of Pantograph","introduction":[{"style":"normal","_key":"2e082dfb2e5e","markDefs":[],"children":[{"_key":"ef7fea669b630","_type":"span","marks":[],"text":"We are proudly independent, committed to fair pay for contributors, and to commissioning work that meaningfully contributes to the conversations our nation is having. This work is made possible through a mixture of grants, donations and partnerships, and vitally – our Pals.\n\nFrom as little as a cup of coffee a month, help to secure a sustainable future for a flourishing arts sector."}],"_type":"block"}]},"overlay":{"logo":{"_type":"image","asset":{"_type":"reference","_ref":"image-27572ffa7d20db69ca11baa38fd35dec39c6ffd4-1500x231-png"}},"title":"Become a Pal","content":[{"markDefs":[],"children":[{"marks":[],"text":"From as little as a cup of coffee a month, you can help secure a sustainable future for a flourishing arts sector.","_key":"ad530f3c868d0","_type":"span"}],"_type":"block","style":"normal","_key":"a134e7ee0be1"}],"footer":[{"markDefs":[],"children":[{"text":"The Pantograph Punch is a registered charity.\nAll donations are tax-deductible.","_key":"37aac0e544e70","_type":"span","marks":[]}],"_type":"block","style":"normal","_key":"2988ac8f8fa4"}],"link":{"externalLink":{"href":"/pals"},"title":"Learn More","type":"external"}},"sidebar":{"link":{"action":"MEMBERSHIP","title":"Donate","type":"action"},"logo":{"_type":"image","asset":{"_ref":"image-27572ffa7d20db69ca11baa38fd35dec39c6ffd4-1500x231-png","_type":"reference"}},"content":[{"style":"normal","_key":"7a4581ebca9f","markDefs":[],"children":[{"_type":"span","marks":[],"text":"Help us to meaningfully contribute to the conversations our nation is having.","_key":"23706501fb7a0"}],"_type":"block"}]},"_createdAt":"2023-02-10T01:59:35Z"},{"_createdAt":"2022-11-21T00:34:32Z","_rev":"GtQd35LCSHDZ7TYNa97fNV","_type":"settingsProducts","_id":"settings-products","shippingText":"Shipping: To be calculated at checkout","seo":{"description":"A fan of our work? Grab some merch!","title":"Products"},"_updatedAt":"2023-08-01T04:28:44Z"},{"_type":"settingsWriters","_id":"settings-writers","seo":{"description":"Our kaituhi | writers!","title":"Writers"},"_updatedAt":"2023-04-06T06:03:03Z","_createdAt":"2022-10-11T01:38:30Z","_rev":"xuLEAm3h5ogUbMz6DJ68Az"}]}},"__N_SSG":true}