Mondays Off: A Review of Revolt. She said. Revolt again
One knowledge worker: A review of Martin Thompson's 'Eight Works'
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together

Featured

Theatre

Jess Bates joins the anarchy of Silo's Revolt. She said. Revolt again, revels in its subversion and wonders if its own maxims have a place in its process.

It’s Silo’s opening night of their 2017 season and the Basement Theatre is agog with that heady mix of the well-dressed and the well-known. With both Pride Festival and Auckland Fringe Festival lighting a fire under Auckland’s cultural arse, it’s no...

Art

Robyn Maree Pickens considers Martin Thompson’s ever-evolving practice.

Martin Thompson (b. 1956) is seated with his folder of drawings beside him when I arrive at Brett McDowell Gallery on Dowling Street, Dunedin. I choose to sit cross-legged on the brown floorboards with my arms resting on the small table between us so that I can see his face. Otherwise it would feel like trying to have a conversation...

Theatre

For the first time ever, groundbreaking British theatre company Complicite performs in New Zealand in March as part of the Auckland Arts Festival. Kate Prior gets sonically submerged in their audio epic The Encounter and situates it in the work of this mercurial 30 year-old company.  

LOREN: First contact. What a shot, that’s great. Ideal first contact.

My first encounter with Complicite’s The Encounter...

Featured

Theatre
Mondays Off: A Review of Revolt. She said. Revolt again
Art
One knowledge worker: A review of Martin Thompson's 'Eight Works'
Theatre
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together
Mondays Off: A Review of Revolt. She said. Revolt again
Read Time: 14 mins
Jess Bates joins the anarchy of Silo's Revolt. She...
Theatre
Mondays Off: A Review of Revolt. She said. Revolt again
By Jess Bates
The Auckland Fringe Festival 2017: Week One
Read Time: 4 mins
Week one of the Auckland Fringe Festival has two shows...
Theatre
The Auckland Fringe Festival 2017: Week One
By Pantograph Punch
One knowledge worker: A review of Martin Thompson's 'Eight Works'
Read Time: 9 mins
Robyn Maree Pickens considers Martin Thompson's ever...
Art
One knowledge worker: A review of Martin Thompson's 'Eight Works'
By Robyn Maree Pickens
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together
Read Time: 16 mins
For the first time ever, groundbreaking British theatre...
Theatre
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together
By Kate Prior
Eternally Hip: A Review of BATS PLAYS
Read Time: 13 mins
Hannah Banks reviews BATS PLAYS by Ken Duncum and...
Literature
Eternally Hip: A Review of BATS PLAYS
By Hannah Banks
The New Zealand Fringe Festival 2017: The Second Week
Read Time: 12 mins
Week two of the New Zealand Fringe Festival has spies...
Theatre
The New Zealand Fringe Festival 2017: The Second Week
By Pantograph Punch
Powerful people tied up in knots: a review of "The Mikado"
Read Time: 15 mins
Yellowface jeopardises Gilbert and Sullivan’s true...
Theatre
Powerful people tied up in knots: a review of "The Mikado"
By Alex Taylor
SCUM and Bluebells: The New Poetics of Alice Birch
Read Time: 10 mins
A manifesto exploding the legacy of language, Revolt...
Theatre
SCUM and Bluebells: The New Poetics of Alice Birch
By Kate Prior
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