Mondays Off: A Review of Revolt. She said. Revolt again
One knowledge worker: A review of Martin Thompson's 'Eight Works'
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together

Featured

Theatre

Jess Bates joins the anarchy of Silo's Revolt. She said. Revolt again, revels in its subversion and wonders if its own maxims have a place in its process.

It’s Silo’s opening night of their 2017 season and the Basement Theatre is agog with that heady mix of the well-dressed and the well-known. With both Pride Festival and Auckland Fringe Festival lighting a fire under Auckland’s cultural arse, it’s no...

Art

Robyn Maree Pickens considers Martin Thompson’s ever-evolving practice.

Martin Thompson (b. 1956) is seated with his folder of drawings beside him when I arrive at Brett McDowell Gallery on Dowling Street, Dunedin. I choose to sit cross-legged on the brown floorboards with my arms resting on the small table between us so that I can see his face. Otherwise it would feel like trying to have a conversation...

Theatre

For the first time ever, groundbreaking British theatre company Complicite performs in New Zealand in March as part of the Auckland Arts Festival. Kate Prior gets sonically submerged in their audio epic The Encounter and situates it in the work of this mercurial 30 year-old company.  

LOREN: First contact. What a shot, that’s great. Ideal first contact.

My first encounter with Complicite’s The Encounter...

Featured

Theatre
Mondays Off: A Review of Revolt. She said. Revolt again
Art
One knowledge worker: A review of Martin Thompson's 'Eight Works'
Theatre
A Dramaturgy of Sound: On Complicite's 'The Encounter' and Being Alone Together
"I Am More Important Than Shakespeare": Ten Moments in Wellington Theatre 2016
Read Time: 18 mins
Adam Goodall takes stock of the triumphs, the anxieties...
Theatre
"I Am More Important Than Shakespeare": Ten Moments in Wellington Theatre 2016
By Adam Goodall
Whakanuia: December's celebration of great stuff
Read Time: 9 mins
100 days, co-revolution, Jessicas Hansell and Rabbit...
Whakanuia
Whakanuia: December's celebration of great stuff
By Pantograph Punch
Allyship, not ownership: on good curatorship, and being tauiwi
Read Time: 12 mins
Lana Lopesi (tauiwi) thinks through If we never met...
Art
Allyship, not ownership: on good curatorship, and being tauiwi
By Lana Lopesi
Coyotes, Swan Jackets, and Rabbit Holes: Ten Moments in Aotearoa NZ Literature in 2016
Read Time: 11 mins
Sarah Jane Barnett remembers ten moments in Aotearoa...
Literature
Coyotes, Swan Jackets, and Rabbit Holes: Ten Moments in Aotearoa NZ Literature in 2016
By Sarah Jane Barnett
Great New Zealand Nonfiction: A review of Tell You What
Read Time: 6 mins
John Summers reviews Tell You What: Great New Zealand...
Literature
Great New Zealand Nonfiction: A review of Tell You What
By John Summers
The Heat of Ritual: A review of Kushana Bush’s ‘The Burning Hours’
Read Time: 9 mins
Robyn Maree Pickens considers the immersive communities...
Art
The Heat of Ritual: A review of Kushana Bush’s ‘The Burning Hours’
By Robyn Maree Pickens
What the dickens is “Outsider” Art?
Read Time: 17 mins
Hindering artists with a “helping” hand since 1972...
Art
What the dickens is “Outsider” Art?
By Janet McAllister
Announcing our 2017 internship programme
Read Time: 3 mins
Be part of our 2017 season of events, which features...
The Pantograph Punch Presents
Announcing our 2017 internship programme
By Pantograph Punch
Beta!